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The hero of the movie, we have here is not a human being, or if he is, then for this modern world, he is a joker. With such a religious icon, we are given another character who is like us. Who behaves and thinks like us. Poor widow gets somehow obsessed with this priest who, I felt is very needy and lonely, maybe. He tries the best to manipulate the girl, who seeks nothing more than reality and compassion. I do not feel any achievement of the director to create such a simple movie with unusual characters and their capers. I absolutely do not understand the philosophy of this movie, in a simple individualistic way. Is this movie a good entertainment? Personally, I like to see how things were during world wars. I like to see such old fashioned phones, roads, clothes, accent, so I like the small village, the small office, the characters and everything, but I must say, this film is totally outdated with its own philosophy even during its time. The conversations do not make much sense, rather her submissiveness, and the film ends, maybe giving a lesson to priests but again, you do not set up lonely sad women to have a conversation with you alone and run your emotional abuse in the name of Father and His Holy Spirit.
Mendy is a young Brookyln Hasid who leaves the strict rules of his insular and repressive community to join his childhood friend, Yankel, who is living securlary in Manhattan. Mendy's struggle to integrate his faith and traditions with the modern world are influenced by his growing friendship with Bianca, Yankel's free spirited Brazilian roommate.
When Continuation War started in Summer 1941, German soldiers arrived to Oulu. With their charm they conquered women and town boys. Finnish boys communicated with them on many levels: had trades, worked as interpreters, rotated business, spied on German love adventures and fought with each other about the favor of soldiers. In autumn 1944, the war was ending. Germans left Oulu by leaving behind fragile relationships, bastard kids and unfinished businesses. The most shocking of all was the faith of young Jake...
The classic story of Emma Bovary, the beautiful wife of a small-town doctor in 19th century France, who engages in extra marital affairs in an attempt to advance her social status.
The pain of unrequited love is portrayed unforgettably by two of today’s greatest stars. Renée Fleming is musically and dramatically radiant as the shy Tatiana, who falls in love with the worldly Onegin, played with devastating charisma by Dmitri Hvorostovsky. Their mesmerizing vocalism and chemistry explode in one of opera’s most heartbreaking final scenes. With Valery Gergiev on the podium conducting Tchaikovsky’s passionate score, this performance is one for the ages.
Lovely Mary, an orphan girl, reluctantly takes charge of her sister's child when her sister Kate is jailed.
Griffin has been diagnosed with terminal cancer. Instead of quietly facing his death, he decides to have fun in the time remaining. At a college class on death, he meets Phoenix, who has terminal leukemia.
1938. Austria has been annexed by Nazi Germany, and Switzerland has closed its borders for Jewish refugees - a death sentence for thousands. But not all Swiss officials observe this inhuman order.
The film is a collection of fictional (unconnected) episodes depicting and analysing various forms of sexuality that go beyond 'normal' heterosexual relations. The subjects of the four episodes are lesbianism, transvestitism, male homosexuality, and sadomasochism. Some stiff grey-haired academic provides a voice-over and also the analysis between the pieces.