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**_The good, the bad and the psychedelic of the Counterculture in the 60s_** A deaf teen (Susan Strasberg) runs away to San Francisco's Haight-Ashbury district to find her artist brother, known as The Seeker (Bruce Dern). She befriends the members of a psychedelic band through whom she’s introduced to the hippie subculture. Jack Nicholson plays the leader of the band. Dean Stockwell, Adam Rourke and Max Julien are also on hand. “Psych-Out” (1968) has a bit more story compared to Roger Corman’s “The Trip” from the previous year, which featured Peter Fonda running around doing crazy things on LSD (although it’s a pretty good simulation of an acid trip with fantastic visuals using the technology of the time). Despite the warning at the beginning of “The Trip,” it’s basically pro-LSD whereas “Psych-out,” produced by Dick Clark, has an anti-drug message in that it dares to show the awful truth, like bad trips, squalor and so on. Since it was shot during the actual era and area, it’s a pretty authentic look at the Counterculture movement, which you can compare with the real-life people of the documentary “Woodstock” (1970). Some of the attitudes of the movement were good and stand the test of time while the libertinism was a foolish path to ennui and self-destruction (mentally, spiritually or physically). A lot of the psychedelic music is pretty good, mostly performed by the Storybook, a San Fernando Valley garage band, but also The Strawberry Alarm Clock, The Seeds and Boenzee Cryque. Surprisingly, there’s a blatant rip-off of Hendrix’ “Purple Haze” and a little “Foxy Lady,” two songs released just before the flick was made. I’m not sure how they got away with that; I guess the ’60s weren’t as litigious as in the decades since. Winsome brunette Strasberg (Jenny) is a highlight, but blonde Linda Gaye Scott (Lynn) arguably steals the show in the feminine department. One weak point in the script is the ambiguity concerning The Seeker. Even Bruce Dern said he was unclear about the character’s role despite his being pivotal to the story. He’s supposed to be a leader of the hippie movement and has attracted enemies due to his controversial influence, yet the damage was done by this point in which he comes across as a drug-addled loser who can hardly construe a sentence of coherent words. I suppose that’s the message. If I'm in the mood for 60's youth entertainment, I'll go with "Lord Love a Duck," starring Roddy McDowall, or even "Village of the Giants." If I want something more serious, I'll go with "The Wild Angels," "Easy Rider" or "Billy Jack." Yet “Psych-Out” works as a serious counterpart to "Beyond the Valley of the Dolls," minus the fruity twaddle. The junkyard sequence is a highlight. The original version runs 1 hour, 22 minutes, but there’s a Director’s Cut that runs 19 minutes longer and generally just makes the movie drag. The flick was shot in San Francisco and Los Angeles. GRADE: B-
A myriad of outrageous calamities befalls an eccentric English clan with more than a few skeletons in its closets when the family's patriarch dies an unexpected death.
A young girl whose father is an ex-convict and whose mother is a junkie finds it difficult to conform and tries to find comfort in a quirky combination of Elvis and the punk scene.
This addition of Disraeli Gears to the acclaimed Classic Albums series features brand new interviews with Clapton, Baker and Bruce, along with lyricist Pete Brown, Atlantic Records founder Ahmet Ertegun, John Mayall and Manfred Mann. Also included on the DVDare acoustic performances, original studio tracks and archival live footage. Included are additional interviews and analysis of the tracks, Exclusive acoustic performances, exclusive solo piano performance and previously unreleased full live performances. Though they were only together for two brief years (1966-1968), the London-based power trio Cream changed the face of rock with their jazz-schooled psychedelic blues-and never more so than on their 1967 classic DISRAELI GEARS. This program offers a critical review of the landmark album through archival footage, rare live performance clips, and interviews with rock critics, musicologists, and band members.
A future classic was unleashed in January 1967 as the Doors released their eponymously titled debut album. This documentary in the Classic Albums series takes an in-depth look at the album, with commentary from Bruce Botnick, who worked on the album, and the three remaining Doors-guitarist Robbie Krieger, keyboard player Ray Manzarek, and drummer John Densmore. The three band members also play some of their instrumental parts from the album, offering invaluable insight into how the songs were constructed.
A two disc amalgam of the final performances of 2001's Madison Square Gardens performances by one of the greatest bands in the world of some of the greatest music in the world. The atmosphere positively floods out of the screen to envelop you and the hairs on your neck will be standing on end before the first note has been struck. After watching this you'll believe that The Boss is incapable of putting a foot wrong. By the end, he's only just short of defying gravity.
High-school principal Dr. Alfred Carroll relates to an audience of parents that marijuana can have devastating effects on teens: a drug supplier entices several restless teens, Mary and Jimmy Lane, sister and brother, and Bill, Mary's boyfriend, into frequenting a reefer house. Gradually, Bill and Jimmy are drawn into smoking dope, which affects their family lives.
Guitarist Ko-chan is a mess of sexual repression after a childhood at the mercy of two elder sisters eager to use him as a guinea pig for their make-up skills. Bassist Gaku-chan keeps a bucket in the wings for whenever his nerves get the better of him, and drummer Momo-chan is doomed to forever carrying the botched childhood attempts at self-tattooing. It's not until this foursome is forced to look for an additional guitar player after Jin's dad burns his Stratocaster, that attitude and musical ability enter into the equation. Leather-clad, shade-wearing Tani (Tamaki), inseparable from his black Les Paul, is introduced as the king of R'n'R cool and Jinnai keeps him firmly seated on his throne throughout the film, retroactively proclaiming the guitarist, rather than himself, as the band's true hero.
A special Radio 2 In Concert performance from blur, recorded in the BBC Radio Theatre in front of a small audience. The set features a selection of classic blur tracks as well as new material.
Formed in Australia in 1973 by brothers Angus and Malcolm Young, AC/DC are considered pioneers of heavy metal. They are one of the highest grossing bands of all time. Using archive footage and interviews with Angus Young and former manager Michael Browning this fascinating programme takes you on a journey from their early days in Australia with Bon Scott to Brian Johnson joining the band and beyond.
Single mom Laura, along with her awkward 14 year-old son Henry is forced to drive Jack, her estranged, care-free pot dealing father across country after he's kicked out of yet another nursing home.
The creative chemistry of four brilliant artists —drummer John Densmore, guitarist Robby Kreiger, keyboardist Ray Manzarek and singer Jim Morrison— made The Doors one of America's most iconic and influential rock bands. Using footage shot between their formation in 1965 and Morrison's death in 1971, it follows the band from the corridors of UCLA's film school, where Manzarek and Morrison met, to the stages of sold-out arenas.