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A down and out all girl race team, Maximum Thrust, hires a sexy newbie street racer, Bekka (Beverly Lynne), in hopes of saving a failing business and salvaging street creds and respect. The action is fast and furious on and off the track when Bekka is seduced by a rival racer, Junior Sloan. When it is discovered Junior intends on destroying Maximum Thrust, even if it means killing the driver, Bekka reunites with the team. With friends and lovers helping, the women of Maximum Thrust build an awesome street racing machine and lay it all on the line when they challenge Junior to a race at "Street Wars." It is a high octane battle where Bekka blows by Junior and stops him on the track. Using intimate information, Bekka and the team have Junior arrested and the team reigns as the Street Wars champions.
As miscommunication and temptations abound, a couple's once-passionate marriage slowly unravels, narrated through humorous dioramas.
The story follows the social intercourse between a cameraman, Masaya, with a visual impairment, and Misako who disconnects from the world.
A young woman raised in the US returns to her birth country in Eastern Europe after a devastating tragedy. Questioning her sanity and her sexuality, she starts believing she possesses supernatural powers.
After cancer claims Matt Kell's life on Christmas Day 2005, his widow, Gina and two young boys are left to cope with the pain of his loss while their close church community gathers around them for support.
“La Zerda and the songs of oblivion” (1982) is one of only two films made by the Algerian novelist Assia Djebar, with “La Nouba des femmes du mont Chenoua” (1977). Powerful poetic essay based on archives, in which Assia Djebar – in collaboration with the poet Malek Alloula and the composer Ahmed Essyad – deconstructs the French colonial propaganda of the Pathé-Gaumont newsreels from 1912 to 1942, to reveal the signs of revolt among the subjugated North African population. Through the reassembly of these propaganda images, Djebar recovers the history of the Zerda ceremonies, suggesting that the power and mysticism of this tradition were obliterated and erased by the predatory voyeurism of the colonial gaze. This very gaze is thus subverted and a hidden tradition of resistance and struggle is revealed, against any exoticizing and orientalist temptation.
"Selma," as in Alabama, the place where segregation in the South was at its worst, leading to a march that ended in violence, forcing a famous statement by President Lyndon B. Johnson that ultimately led to the signing of the Voting Rights Act.
Sara, a cold college professor, and her husband, an ecstatic painter, spend a summer away from the city, straining their rocky relationship.
On the outskirts of the provincial town, Yevdokim and Yevdokiya live, raising foster children. Yevdokim works at a factory, Yevdokiya is a housewife. The family seems to be safe and happy: the only trouble is that Yevdokiya cannot forget the love of her youth. This Yevdokim cannot stand and offers Yevdokiya freedom, while he will remain with the children. But all these contradictions are drowned in mutual love for children and for each other.
In 1971, a young woman moves from the French countryside to Paris and begins a passionate love affair with a feminist leader.
Fresh out of rehab, Rona returns to the Orkney Islands—a place both wild and beautiful, right off the Scottish coast. Now 29 and after more than a decade of living life on the edge in London, where she both found and lost love, Rona attempts to come to terms with her troubled past. As she reconnects with the dramatic landscape where she grew up, memories of her traumatic childhood merge with more recent challenging events that have set her on the path to recovery.