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There's things a man has to know and has to do, and it's best that he does them alone. Backlash (1956) is directed by John Sturges and adapted by Borden Chase from the novel written by Frank Gruber. It stars Richard Widmark, Donna Reed, John McIntire & William Campbell. It's shot in Technicolor by Irving Glassberg on location in Tuscon, Arizona. 1870 Arizona, and Jim Slater (Widmark) is searching for the truth about what happened to his father during the Apache ambush at Gila Valley. This brings him into contact with strong willed Karyl Orton (Reed), who courtesy of her missing husband also has an interest in the events of that raid. Missing family members and missing gold, the can is now open and worms are pouring out every where. It's about the writing and the characters here. From the off it should be known that this is no high octane actioner. We are dealing in a mystery, with what amounts to a detective story played out in a Western theme. It's a touch unusual but never less than interesting as Chases' unconventional script gives birth to a myriad of characters, some complex, others just stock genre story fleshers. There's some clichés spliced within the piece, but they are off set by some nice twists in the story. And while this is no Anthony Mann/Borden Chase psychologically tinted production, it doesn't cop out with its big decisions. Glassberg's cinematography is first class, really vibrant and bursting out from the screen as they nicely film it on location of where the story is set. The cast is real strong. Widmark is excellent as the tough as nails hero and Reed looks stunning whilst neatly essaying a prickly femme fatale type. McIntire gives another classy supporting turn and Campbell is enjoyably OTT as hothead gunslinger Johnny Cool. The principals have all done far better work in the genre, but this is a nice change of pace for all of them. It's unlikely to raise the pulses of the action seeking fan, but for those of a more literary persuasion this should hit the spot. 7/10
Nevada Smith is the young son of an Indian mother and white father. When his father is killed by three men over gold, Nevada sets out to find them and kill them. The boy is taken in by a gun merchant. The gun merchant shows him how to shoot and to shoot on time and correct.
An old geezer recalls some of the antics of the citizens of his Western town, more wild and woolly than Tombstone or Dodge City. In this town, they shoot like Stormtroopers, the women seek new meat, and practical jokers abound.
The Man With No Name enters the Mexican village of San Miguel in the midst of a power struggle among the three Rojo brothers and sheriff John Baxter. When a regiment of Mexican soldiers bearing gold intended to pay for new weapons is waylaid by the Rojo brothers, the stranger inserts himself into the middle of the long-simmering battle, selling false information to both sides for his own benefit.
A group of outlaws plan and execute a robbery in a small town. However, things go awry as the team attempt a getaway, when a couple of the locals attempting to follow them, are ambushed by marauding natives.
Wounded Civil War soldier John Dunbar tries to commit suicide—and becomes a hero instead. As a reward, he's assigned to his dream post, a remote junction on the Western frontier, and soon makes unlikely friends with the local Sioux tribe.
Fred Engel's father is murdered by Colonel Brinkley in order to acquire a treasure map, however the Colonel only acquires half of it, the other half as held by Mrs. Butler. Discovering the scene of the crime, Old Shatterhand and Winnetou help Fred bring his father's murderer to justice and locate the treasure of Silver Lake.
A fictionalized account of the infamous massacre of Cheyenne and Arapaho at Sand Creek by a militia unit led by an extremist Colonel.
Archie Grey Owl is a trapper in Canada in the early 1930s when a young Iroquois woman from town asks him to teach her Indian ways. They live in the woods, where she is appalled at how trapped animals die. She adopts two orphaned beaver kits and helps Archie see his way to stop trapping. Instead, he works as a guide, a naturalist writer, and then the Canadian government hires him to save the beaver in a conserve by Lake Ajawaan in Prince Albert National Park. He writes a biography, which brings him attention in Canada and invitations to lecture in England. Before he leaves, he and Anahareo (Pony) marry. In England, his secret is revealed. Will Anahareo continue to love him?
Fidencio Borer, an apothecary in a village on the northern border of Mexico, discovers some old title of a mine in Arizona and decides to claim them. Trying to cross the border is a border guard intercepted by exaggerating in the line of duty. On the way is captured by a tribe of Apaches and is about to be burned alive, but thanks to the Great Head Horse Lying having toothache and learns that the prisoner it can heal, ordered his release on the condition that the cure. Fidencio would take the wheel and gets the eternal friendship of the Chief apache.
Gerald, the somewhat frail son of a wealthy New York family, is bested at the beach by Bill, a strapping young cowboy from Arizona. His fiancée Mary, ashamed of Gerald's "yellow streak", leaves him and goes by train to visit some friends in Arizona, with Bill in tow. Gerald follows them, and before long he and Mary winds up captured by Yaqui Indians and Gerald must prove to Mary that he is not the "weakling" she thinks he is by coming up with a plan for them to escape their captors.
This classic family drama stars Shirley Temple as young orphan Susannah Sheldon, the sole survivor of a brutal Indian attack who's befriended by Canadian Mountie Angus Montague (Randolph Scott) and his girlfriend, Vicky (Margaret Lockwood). The couple takes Susannah under their wing and soon learn that having a precocious child around can come in handy; when the Indians return, the girl uses her charm to broker peace.Shirley is the orphaned survivor of an Indian attack in the Canadian West. A Mountie and his girlfriend take her in...