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Nothing. Something. Anything. Meh. I think I understand why so many people are into this film, and I do understand why it's so influential. The thing is, I'm not sure I care about any of that. Yeah, surrealism. So it's something. Or it's not something. Or it's anything. Or really, it's nothing. To me, it's meh. It's not bad, and I can't say it was nearly a waste of my time. Coming in at just over a quarter of an hour, I've spent longer watching the last two minutes of a basketball game when I didn't even care about who won. While I don't think it was a waste of my time, it didn't really add anything to my day, either. Maybe I'll have to come back and review this if the film sticks with me, but I can't imagine this will do so. It's not my first experience with surrealism, and I'm certainly not the type to ponder of the concept for hours, especially not recently. I'd also argue that this film does nothing to provoke thought on its own. It might be a guiding point to long sessions of thought regarding existence and meaning, but I'm not sure how many people would get there without reading up on the film and surrealism at the least. So, ultimately, meh.
Set in London in the early 1970's, supposedly for teen thrills, Johnny organises a black magic ceremony in a desolate churchyard. The culmination of the ritual, however, is the rejuvenation of Dracula from shrivelled remains. Johnny, Dracula' s disciple, lures victims to the deserted graveyard for his master's pleasure and one of the victims delivered is Jessica Van Helsing. Descended from the Van Helsing line of vampire hunters her grandfather, equipped with all the devices to snare and destroy the Count, confronts his arch enemy in the age-old battle between good and evil.
The Prince of Darkness casts his undead shadow once more over the cursed village of Kleinenberg when his ashes are splashed with bat's blood and Dracula is resurrected. And two innocent victims search for a missing loved one... loved to death by Dracula's mistress. But after they discover his blood-drained corpse in Dracula's castle necropolis, the Vampire Lord's lustful vengeance begins.
Based on the short story, 'NONA' by Stephen King, LOVE NEVER DIES is a psychological thriller about a drifter who wanders the night, seeking to escape his tormented past. One night, he meets the mysterious and seductive Nona, a woman cast from his darkest fantasies, who lures him on a deadly chase to uncover the horrifying truth he so desperately wants to avoid. Inspired by the creepy corners of King's imagination, LOVE NEVER DIES explores the razor-thin line that separates the allure of love from the romance of murder. Love never dies...but sometimes it kills!
Mike is trapped in an elevator. His only solution is "The Cloud" an Operating System Phone which saves a copy of his brain.
On a dark and stormy night, four bored ghosts decide to have some fun by calling the Ajax Ghost Exterminators.
A surrealistic anthology of horror films; four segments structured as an intense fever dream...
A doctor conducts experiments on patients which end up in anguish!
A baby alligator is flushed down a toilet and survives by eating discarded lab animals that have been injected with growth hormones. The now gigantic animal escapes the city sewers and goes on a rampage, pursued by a cop and a big-game hunter.
A first-time feature-film director (who's also the writer and producer) is casting the lead actress. We meet him talking to his wife about the picture and the process. We meet the actress, Sandy, negotiating with her roommate and talking by phone to her mother. Then, we watch Sandy audition for the director at the call-back session; also attending are the casting director and the production company's sycophants. The wrinkle is that the director is a homicidal misogynist, his wife is tied up and hanging from the ceiling, and Sandy has something in her purse that bodes a rocky future.
After the mysterious death of her husband, a woman struggles with her sanity as she sets out to prove that the entity known as the Banshee is responsible.
Charles Dexter Ward, a young student of metaphysics, befriends Erich Zann, an elderly violinist who lives on the floor above him. Ward is fascinated by Zann's sinister yet wonderful music, which he hears late at night drifting down from above. But he discovers more then he bargains for when he peers at what beckons beyond that strange curtained window in Zann's room...