I watched this to see Bruce Jones in it, who I know from long ago Coronation Street. He performed well with a limiting script. I mean, there was plenty of emotional highs and lows for him to strut his stuff, but the plot seemed weak and fell back on stereotypes. I had trouble with his being too proud to accept charity but he has no qualms about breaking the law. Do those two standards really fit with each other? I was poor for several years as a young adult and never came close to that sort of reasoning. I am in the U.S. but I have watched a lot of British programming and movies over the years and usually manage the accents quite well, but these folks often spoke very fast and low, and I missed half or more of some conversations . Luckily the plot was so simple it was still easy to follow what was going on. I give the ending credit for not being predictable, but it also seemed kind of pat, deus es machina.
Father Peter fears that the universe has become indifferent. God no longer intervenes in earthly affairs. Peter's wife abandoned him, his son disobeys him and his mother suffers from Alzheimer's and hardly ever recognizes him. When Peter becomes an obstacle to a large property sale in his small island parish, a group of interesting, but vengeful villagers decides to force him to leave. Using very creative methods, they convince the entire superstitious village that Peter is the cause of all the troubles on their island.
Die Polizistin is a documentary by Andreas Dresen about the life of a young police woman who is faced with the difficulties between her responsibilities at work and her personal responsibilities.
Working-class British housewife Myra Savage reinvents herself as a medium, holding seances in the sitting room of her home with the hidden assistance of her under-employed, asthmatic husband, Billy. In an attempt to enhance her credibility as a psychic, Myra hatches an elaborate, ill-conceived plot to kidnap a wealthy couple's young daughter so that she can then help the police "find" the missing girl.
La Califfa's husband was killed during the strikes so she takes the side of the strikers. Her conflict with the plant owner Doverdo gradually turns into a love relationship.
A single mother suffers a devastating stroke leaving her teenage daughter and 7-year-old son to care for her, testing the family's strength to hold things together as their roles are reversed.
Manchester, 1976. Tony Wilson is an ambitious but frustrated local TV news reporter looking for a way to make his mark. After witnessing a life-changing concert by a band known as the Sex Pistols, he persuades his station to televise one of their performances, and soon Manchester's punk groups are clamoring for him to manage them. Riding the wave of a musical revolution, Wilson and his friends create the legendary Factory Records label and The Hacienda club.
A young Catholic priest from Boston confronts bigotry, Nazism, and his own personal conflicts as he rises to the office of cardinal.
Marseille. The director of a company offers a promotion to Francois (Michel Creton) if he accepts to help him fire all the staff from his office. If he refuses, he will himself be fired. Francois opts for the latter. He registers as unemployed and discovers what he has lacked so far in his life: a certain freedom. His habits are changing as well as his attitude towards the others changes ... Luce (Claude Jade), his wife, and Marquerite (Courtois Queen), her stepmother, are surprised: why he is not himself anymore?
One winter night, Pilar runs away from home. With her, she takes only a few belongings and her son, Juan. Antonio soon sets out to look for her. He says Pilar is his sunshine, and what's more, "She gave him her eyes"...
A group of male friends become obsessed with five mysterious sisters who are sheltered by their strict, religious parents.