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Tipping Point - (Feb 27th)
Landscape Artist of the Year - (Feb 27th)
The Kelly Clarkson Show - (Feb 27th)
Gogglebox Australia - (Feb 27th)
Family Feud Canada - (Feb 27th)
Reacher - (Feb 27th)
Life Below Zero - (Feb 27th)
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Green Eyed Killers - (Feb 27th)
Kirstie And Phils Love It Or List It - (Feb 27th)
Tyler Perrys Young Dylan - (Feb 27th)
Harley Quinn - (Feb 27th)
NCIS- Sydney - (Feb 27th)
After Midnight - (Feb 27th)
The 11th Hour with Stephanie Ruhle - (Feb 27th)
The Real Housewives of Sydney - (Feb 27th)
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J.D. Salinger didn’t write to be read – or seen. The author of The Catcher in the Rye stopped publishing in 1965 – but continued writing until his death 45 years later –, and long before that he had made up his mind to refuse to allow film adaptations of his work (a non-acceptance that has miraculously survived him). As a result, the lazy and the uncreative have had to find alternative avenues for profiting from Salinger's work. The most recent example of this is My Salinger Year, a drama written and directed by Philippe Falardeau, based on Joanna Rakoff's memoir of the same name. In 1995, Joanna (Margaret Qualley), an aspiring writer and poet, moves to New York, where she gets a job at one of New York's oldest literary agencies. Unbeknownst to Joanna, the agency looks after the interests of notoriously reclusive writer J. D. Salinger (additionally, she moves into an apartment with her new boyfriend, who is writing a novel, which, when finished, fits perfectly inside a thin manila envelope; I’d venture that perhaps the envelope contains a flash drive with the book in it, but this is the mid-90s, after all). Joanna's duties include responding to Salinger's voluminous fan mail. According to agency policy, Joanna replies with a generic formula explaining that Salinger does not read fan letters (and if the letters were anything like the ones in the movie, he wasn't missing much – and neither were we). She, however, becomes tempted to write back something with a little more substance to certain Salinger fans – though not having read any of his work (not even Catcher), it’s hard to tell what led her to believe she was qualified to become Salinger’s self-appointed mouthpiece. The only reason the writer's last name appears in the title of this movie is to lure unsuspecting viewers into watching it in hopes of learning something valuable about Salinger. As it turns out, though, the plot has little or nothing to do with the author (and it isn’t even clever enough to be a pastiche like Igby Goes Down) except a perverse eagerness to pry into and exploit his two most valued possessions: his privacy and his art. Consider this: in May 1986, Salinger discovered that British writer Ian Hamilton intended to publish a biography that made extensive use of letters Salinger had written to other authors and friends. Salinger sued to stop publication of the book, and in Salinger v. Random House, the court ruled that Hamilton's extensive use of the letters, including quoting and paraphrasing, was not acceptable as the author's right to control publication overrode the right of fair use. It doesn't take a genius to conclude that Salinger wouldn't be much happier with a book and film based on correspondence that he didn't read – let alone replied to –, starring a character who has deliberately avoided the author’s oeuvre, because she wants to be “provoked,” not “entertained.” All things considered, My Salinger Year is neither provocative nor entertaining.
Lesbian-themed tale of a schoolgirl who entices her gullible (not to mention slightly warped) female teacher by positing that they are predestined to dance together on the day the world ends.
A trigger-happy Nationalist fears retribution from the son of a man he executed. To mollify the boy's anger, he takes a drastic step: he keeps constant watch over the fig tree the boy has planted at his father's gravesite. As the years pass, the man's lonely vigil makes him a tourist attraction, much to the chagrin of his former colleagues.
HELD FOR RANSOM tells the true story of Danish photojournalist Daniel Rye who was held hostage for 398 days in Syria by the terror organization ISIS along with several other foreign nationals including the American journalist, James Foley. The film follows Daniel’s struggle to survive in captivity, his friendship with James, and the nightmare of the Rye family back home in Denmark as they try to do everything in their power to save their son. At the center of this crisis, we find hostage negotiator, Arthur, who plays a pivotal role in securing Daniel’s release.
A Jewish pawnbroker, a victim of Nazi persecution, loses all faith in his fellow man until he realizes too late the tragedy of his actions.
Haunted by his traumatic past and cautious about the prospects of an uncertain future, a fourteen year old boy named Juhani winds up in an isolated boys' home known as The Island. Juhani has been shuttled between foster homes and temporary families for the past six years, leaving any prospect of stability in his life a faded dream. When Juhani winds up in a remote shelter for troubled youth known as The Island, he has little idea of how ruthless superintendent Olavi Harjula can truly be.
Rival reporters Sam Craig and Tess Harding fall in love and get married, only to find their relationship strained when Sam comes to resent Tess' hectic lifestyle.
In the 1800s frontier, Missie Davis is a bright and beautiful schoolteacher whose love for the prairie is matched only by her passion for books. When Missie encounters Grant, a handsome New England railroad executive, she feels as though she's met a hero from one of her novels.
The Count sets out to make a private room for him and his Countess, built in such a way no one can see, hear, and most importantly, disturb them. But unbeknownst to the Count, his wife has set her eyes on the court minstrel. Based on Edgar Allan Poe's “The Cask of Amontillado” and Honoré de Balzac's “La Grande Breteche”.
The life of Al Roberts, a pianist in a New York nightclub, turns into a nightmare when he decides to hitchhike to Los Angeles to visit his girlfriend.
Rascal. Joker. Dreamer. Genius... You've never met a college student quite like "Rancho." From the moment he arrives at India's most prestigious university, Rancho's outlandish schemes turn the campus upside down—along with the lives of his two newfound best friends. Together, they make life miserable for "Virus," the school’s uptight and heartless dean. But when Rancho catches the eye of the dean's daughter, Virus sets his sights on flunking out the "3 idiots" once and for all.
Based on Michael Chabon's novel, the film chronicles the defining summer of a recent college graduate who crosses his gangster father and explores love, sexuality, and the enigmas surrounding his life and his city.