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If you enjoy reading my Spoiler-Free reviews, please follow my blog @ https://www.msbreviews.com One of the worst movies I've seen in my entire life! No, I'm not going to ease you in. I literally spent ninety minutes of my weekend feeling frustrated, angry, stressed out, and genuinely annoyed at how many aspects Force of Nature is horrible at. This is an atrocious film in every imaginable way. There's no redeeming quality or a little tiny positive note. I'm going to be as straightforward as I can. I'm not going to waste the usual time I need to write a review, this one will be written in less than fifteen minutes. First of all, the narrative. This movie is about a group of thieves that attempt to steal something from a building during a storm. It's a Category 5 hurricane, and all the film shows is rain. There are no windows breaking, doors flying, or any sort of indication that the weather is dangerous in any way. Every single character is plainly stupid. There's no way of describing them more accurately. Everyone makes astonishingly dumb decisions, based on the most illogical and unrealistic scenarios. The action lacks everything it must have: energy, choreography, good editing, and everything else you can think of. A character dies, the camera goes in for a close-up, and the eyes are still freaking moving. That's the level of amateurism Force of Nature displays. The sound design comes from the past century, with punches, kicks, and gunshots sounding like I'm watching an anime. The editing is terrible throughout, but it's far from grabbing the spotlight with so many baffling stuff. Even the cast delivers laughable performances. Emile Hirsch (Cardillo) has the worst emotional range I've ever seen in an actor. His expressions are cringe-worthy in almost every single situation, independently of how serious the latter is or not. I have no idea what Mel Gibson (Ray) is doing in such a wretched flick. The "plot armor" that protagonists regularly possess is taken to a whole new level. Usually, they survive a 99%-chance of dying scenario, and the audience simply accept it. But the "bad guys" in this movie are ridiculously portrayed, almost like the actors are interpreting caricatures of their characters. Throughout the whole film, I felt continuously frustrated. Every single minute is packed with story inconsistencies and truly irritating characters. I've never felt so uncomfortable watching a movie before. I never wished so hard for a film to finally end. I was moving around on my couch and giving these nervous chuckles because I was honestly feeling extremely annoyed at what I was watching. Michael Polish and Cory Miller should be ashamed of what they did. This is an embarrassment for any filmmaker. Believe me: I could easily write 2000+ words about this piece... Force of Nature is indeed a force to be reckoned with... for the "Worst Movies I've Ever Seen" contest. From the baffling character decisions to the illogically absurd narrative, Michael Polish directs an appalling film packed with excruciatingly embarrassing acting, horribly dated sound design, a nonsensical attempt at creating a catastrophic atmosphere, awful editing, impressively lousy action, and last but not least, one of the worst screenplays ever put to screen, by Cory Miller. The level of amateurism is genuinely jaw-dropping. I've never felt so uncomfortable watching a heist movie. I'm feeling incredibly frustrated, bitter, annoyed, and unsure how a film like this was made possible. Please, stay away from this abomination. Even if you're interested in watching it just to know how bad it actually is, be careful. Because you're not going to feel that well after watching Mel Gibson fall to this level. Rating: F
Passable suspense-thriller ruined by an unsatisfying, and predictable, ending, not to mention all the smiles in the final scene given what transpired before. Even so, some of the fights were okay and it's a basic story but for the most part I was entertained. I think this is Gibson's first foray into DTV territory and at least shows some charm (disclaimer here for separating art from artist cliche) playing grisly ex-cop. Will be interesting to see if he shows the same commitment in his next DTV flick. Also, I suspect this role was originally offered to Bruce Willis but seeing he would have to get wet, passed... Oh, as for Kate Bosworth, she's working her way through playing the daughter of washed-up actors. First was Life on the Line with John Travolta, the Heist with Robert De Niro and now with Gibson. **2.75/5**
From Mel Gibson's worst fake smokers cough I have ever heard to every line delivered by Emile Hirsch making me cringe, this is one of the worst action/crime films I have ever had the displeasure of sitting through. I was about to take a hiatus from films but I'll have to watch something else because I can't end on this horrendous note. Seriously, I didn't know a mainstream film with this many stars could be this bad. Trust my review: don't waste your time on this. You will regret it.
I vaguely recall a news story some years ago about the discovery of an whole load of old masters in the room of a gent who had hoarded them after the end off WWII. Maybe that is what inspired this otherwise shockingly weak and far-fetched detective thriller. The cringingly poor Emile Hirsch ("Cardillo") is posted to Puerto Rico after a fatal accident killed his cop-girlfriend. It is here, teamed up with "Jess" (Stephanie Cayo) that they become embroiled in a heist, in the midst of an hurricane, that sees them held hostage by some ruthless robbers in search of a room full of art in an ordinary residential block. Luckily, though, retired officer "Ray" (Mel Gibson) is on hand to help them survive. What Gibson is doing in this is anyone's guess. It is a poorly paced, shockingly derivative affair that has all the hallmarks of a college project, just with a bit more cash. The dialogue is puerile and lacks style or humour, indeed the whole thing just lacks... There is the slight menace of a beastie kept behind a very securely locked door - but sadly we have to wait til the very end before that comes into play. Too little too late. There are millions of movies out there if you are bored. This one - don't bother.
Franck and Simon are both good cops. They work as partners. But their lives take a tailspin when Simon, driving drunk, causes a tragic car wreck. A few years later, out of the police, he is forced to take matters into his own hands when his family is in danger.
Two bank robbers, Dennis and Hal, are on the run from the police after a successful heist. Needing somewhere to hide the loot, they turn to a funeral parlour where they stash the cash in Hal's recently-deceased mother's coffin. Taking the coffin, they turn to Hal's father and hide it in the bathroom of his hotel. Before long the hotel is host to the eccentric Inspector Truscott.
Detectives use clues from various recording devices to piece together events surrounding a massacre involving bus passengers at an abandoned gas station.
A stand-up comedian confesses to a murder on-stage at an open mic night to a shocked audience - his crime the result of a deadly triangle formed between his older sister, just released from prison after a 20-year stay for the murder of their parents, the loving bond he now shares with a caring surrogate family, and the ultimate choice he must make between them - his dysfunctional blood ties with his own sister, or his picturesque view of the ideal family.
As Fraulein Leander prepares for opening night, her life is thrown into turmoil by a variety of romantic misadventures. But she manages to show up on stage at the appointed time, scoring a huge success.
After receiving numerous death threats, the millionaire father of a young woman hires a private detective.
A young girl, suffering from amnesia after surviving a house fire that takes her childhood friend's life, begins a tormented road to recovery.
A female lawyer is stalked by a killer. The last in a long line of con artists, defense lawyer Jessie Lee Stubbs has every intention of staying on the right side of the law. But a suitcase packed with $3 million, a missing Hollywood starlet, and a trail of dead bodies draw her deeper into a deadly intrigue of desire, deception, betrayal and murder.
This Universal programmer was based on a Collier's Magazine story by journalist Quentin Reynolds. This story in turn was ostensibly based on a true incident, in which a gangster "returned from the dead" to save an innocent young man from the electric chair. The nurse of the film's title is Katharine McDonald, who falls in love with her prizefighter-patient Lee Burke as he recovers from a beating received in a fixed prizefight. Katharine must fend off the advances of criminal attorney John Dodge, another patient who also loves her and becomes jealous of Lee. But when Lee is framed for the murder of his disgruntled manager, Slice, by a henchman of the fight-fix leader, Joe Largo, Dodge takes on his defense and works with Katherine to discover the real killer. Convicted and sentenced to death, Burke is about to walk the "last mile", as Katharine encourages mortally wounded Largo to a deathbed confession.
A case of the flu quickly morphs into a pandemic. As the death toll mounts and the living panic, the government plans extreme measures to contain it.
A self-entitled woman is determined to keep her new man to herself at all costs.