Déchets: le cauchemar du nucléaire

Six months after the explosions at the Fukushima nuclear plant and the release of radiation there, Professor Jim Al-Khalili sets out to discover whether nuclear power is safe. He begins in Japan, where he meets some of the tens of thousands of people who have been evacuated from the exclusion zone. He travels to an abandoned village just outside the zone to witness a nuclear clean-up operation. Jim draws on the latest scientific findings from Japan and from the previous explosion at Chernobyl to understand how dangerous the release of radiation is likely to be and what that means for our trust in nuclear power.

Australian pediatrician Helen Caldicott delivers a lecture on the potential medical and societal consequences of a nuclear war, and advocates for nuclear disarmament. The film includes newsreel records of the beginnings of the arms race and the bombings of Hiroshima and Nagasaki, as well as film records showing the Japanese who were severely scarred and burned in the bombings.

With striking images and meticulous sound work, Burial reminds us of the paradoxical relationship between scientific development and the destruction of nature. Questioning the effects of human activity on the planet we inhabit and which we have put at risk, the film focuses on the unsolved issues of nuclear plants and nuclear activity.

Hiroshima and Nagasaki: 75 Years Later is told entirely from the first-person perspective of leaders, physicists, soldiers and survivors.

Ten years after Fukushima nuclear accident, a familiy returns every month at their home to measure the radiation with a Geiger counter.

Fukushima's Minami-soma has a ten-centuries-long tradition of holding the Soma Nomaoi ("chasing wild horses") festival to celebrate the horse's great contribution to human society. Following the meltdown of the Fukushima Daiichi Nuclear Power Plant in the wake of the March 11, 2011 earthquake and tsunami, local people were forced to flee the area. Rancher Shinichiro Tanaka returned to find his horses dead or starving, and refused to obey the government's orders to kill them. While many racehorses are slaughtered for horsemeat, his horses had been subjected to radiation and were inedible. Yoju Matsubayashi, whose "Fukushima: Memories of the Lost Landscape" is one of the most impressive documentaries made immediately after the disaster, spent the summer of 2011 helping Tanaka take care of his horses. In documenting their rehabilitation, he has produced a profound meditation on these animals who live as testaments to the tragic bargain human society made with nuclear power.

A documentary exploring the making of the third and worst installment of the insanely popular apocalyptic strategy game series Fallout. The Making of Fallout 3 (which sucks) features behind the scenes footage, concept art and was only made available to people who had purchased the collectors edition of the game.

A filmmaker embarks on a poignant journey with his parents to the secret city where they unknowingly contributed to the creation of the first atomic bombs.

Combining personal accounts with archive footage, this film features the voices of some of the only people left on earth to have survived a nuclear bomb.

"Historically accurate, narratively captivating, The New American Century is one of the best films about the facts behind the 9/11 attacks". Webster G. Tarpley "The New American Century is a stunning film. It should be seen as widely as possible, in cinemas, bars, clubs, at meetings and, of course, through the internet. I'm sure the film will continue to be a source of debate and political education for many years." Ken Loach. Massimo Mazzucco’s Inganno Globale (soon in English as "Global Deceit") presented all the major inconsistencies in the 9/11 official version, i.e. World Trade Center’s demolition, no Boeing at the Pentagon, etc., that lent credibility to the accusation by the so-called "9/11 Truth Movement" of the attacks having been an inside job. The New American Century presents the historical, philosophical, economical and political background, some of which is practically unknown to the general public, that seems to support such accusation by the 9/11 Truth Movement.