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The Apprentice - (Mar 6th)
Katy Tur Reports - (Mar 6th)
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Clean It, Fix It - (Mar 6th)
The Z-Suite - (Mar 6th)
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Tour de Fred- Northern Ireland - (Mar 6th)
Paradis City - (Mar 6th)
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Ancient Aliens - (Mar 6th)
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Bravo for The Bravados! The Bravados is directed by Henry King and adapted to screenplay by Phillip Yordan from the story written by Frank O’Rourke. It stars Gregory Peck, Joan Collins, Stephen Boyd, Albert Salmi, Henry Silva, Lee Van Cleef, Kathleen Gallant and Barry Coe. Music is scored by Lionel Newman and cinematography is by Leon Shamroy. Jim Douglass (Peck) is pursuing the four outlaws who murdered his wife and finds them locked up in a Rio Arriba jail. When they escape jail and flee to Mexico, Douglass goes off once again in pursuit with revenge eating away at his very being. Henry King and Gregory Peck made a number of films together, that they only made two Westerns is a constant sorrow to genre lovers. They made the quite superb The Gunfighter in 1950 and finally reconvened again in the genre for The Bravados eight years later. While as a point of notice The Bravados is not as great, it’s still one damn fine and meaty picture that finds the two men on either side of the camera bringing the best out of each other. This on the surface looked to be a standard revenge driven story that would serve the Western genre so well during the heyday, but there’s a downbeat vibe to it all, which when cuffed together with ambiguous characters and an almighty revelation at story’s finale, marks it out as a must see for like minded Oater souls. It even throws up moral quandaries and boldly points an accusing finger at religion under a violent cloud, this for sure sits stoutly among the Adult Westerns splinter that so enriched a genre that almost sank into a light entertainment mire. As the astute King establishes main characters and paces to precision for taut intrigue, Shamroy revels in the Scope format and cloaks the pic with ethereal vividness, especially for the night time sequences. Then it’s all about Peck, who brings a brooding menace here that wasn’t seen very often, which as it happens is something that makes the finale all the more special given his character is forced into an emotional flip-flop of substance. We of course have a number of Western staples, the fights, despicable crimes, tracking through glorious landscapes et al, all of which are staged with thought and potency for entertainment purpose. The four outlaws are given enough meat to chew on, Bill (Boyd) is all vile and loose cannon like, Alfonso (Cleef) is shifty and oily, Ed (Salmi) a weasel and Lujan (Silva) is the ace in the pack, with more to him than meets the eye and he turns in a smart underplayed perf. Unfortunately, as is universally noted by most who have seen this, Collins is not only poorly cast as the main female character (Latino love interest, really?), she’s also under written and has no chemistry with Peck. It’s actually more credit to Peck that his strong silent type thesping ensures the Collins misstep doesn’t hurt the pic too much. A must see for Western, King and Peck fans like. 8/10
The sole survivor of a bloody massacre vows revenge on his attackers and on the men who killed his wife.
Hannie enlists the aid of bounty hunter Tom Price to teach her how to be a gunfighter so she can hunt down the 3 men who killed her husband and raped her.
In 1870s America, a peaceful American settler kills his family's murderer which unleashes the fury of a notorious gang leader. His cowardly fellow townspeople then betray him, forcing him to hunt down the outlaws alone.
This film is about Zagor’s revenge upon four men that persecuted his family. Rodrigo, Lopez and Şerif take the mine that Zagor discovers. They don’t even give him a share. They deposit him famished, thirsty and on foot in the desert. Along the journey, he meets Mr. Taylor and his daughter. Mr. Taylor teaches Zagor how to use a gun quickly. Zagor goes back and settles the score with those who have done him wrong. But the villains do not sit idle. They kill Zagor’s sibling Katito, mother, and father. They also kill Mr. Taylor and steal his horse. Zagor marries Mr. Taylor’s daughter. He then exacts revenge on Rodrigo, Lopez, Şerif and Karlo one by one
In 1825, Clare, a 21-year-old Irish convict, chases a British soldier through the rugged Tasmanian wilderness, bent on revenge for a terrible act of violence he committed against her family. She enlists the services of an Aboriginal tracker who is also marked by trauma from his own violence-filled past.
Yuki's family is nearly wiped out before she is born due to the machinations of a band of criminals. These criminals kidnap and brutalize her mother but leave her alive. Later her mother ends up in prison with only revenge to keep her alive. She creates an instrument for this revenge by purposefully getting pregnant. Yuki never knows the love of a family but only killing and revenge.
In Montauban in 1944, Julien Dandieu in a surgeon in the local hospital. Frightened by the German army entering Montauban, he asks his friend Francois to drive his wife and his daughter in the back country village where Julien has an old castle. One week later, Julien decided to meet then for the week end, but the Germans are already occupying the village.
A woman struggles to recover from a brutal attack by setting out on a mission for revenge.
A honeymooning couple take a vacation in a remote country bungalow. Before long, they’re visited by two backwoods psychos. Terror, assault, and rape are inevitable. The U.S. video release from Genesis (released in 1988 under the title DEMON LUST) is missing ten minutes.
Mark (a journalist from Xice Magazine) is sent to do a premier article on Steve and John (co-creators of XBus & owners of Bang-on Entertainment). They decide to take Mark on a ride that, unbeknownst to them, turns into a vicious nightmare. Caught in a revenge plot that's been brewing for years, Mark tries to escape with his life as our mysterious Beth reigns down punishment for Steve and John's past dirty deeds. What is a "just" consequence for a couple of scum-bag's?... And how far will one go to get even?
There is instant chemistry between Alice (Gillian Anderson), a businesswoman, and Adam (Danny Dyer), a younger working-class man who installs a security system in her London apartment. She takes him to a party in the country, and they end up making love. But the night turns horrific when they encounter three thugs who maim Adam and rape Alice. The incident turns them into fearful recluses until Alice spots the leader of their attackers (Anthony Calf) - and the two victims plot a brutal revenge.