Better Man 2024 - Movies (Feb 9th)
Turn Me On 2024 - Movies (Feb 9th)
Melanies Grave 2024 - Movies (Feb 8th)
Reality Bites A Hannah Swensen Mystery 2025 - Movies (Feb 7th)
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Horror Able 2024 - Movies (Feb 7th)
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Over The Red River 2024 - Movies (Feb 7th)
Modì Three Days on the Wing of Madness 2024 - Movies (Feb 7th)
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Night of the Dead Sorority Babes 2025 - Movies (Feb 7th)
The Lion King at the Hollywood Bowl 2025 - Movies (Feb 7th)
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Disco’s Revenge 2024 - Movies (Feb 7th)
The Coddling of the American Mind 2024 - Movies (Feb 6th)
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V/H/S/Beyond 2024 - Movies (Feb 6th)
Mafia Wars 2024 - Movies (Feb 5th)
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Better Man 2024 - ()
Turn Me On 2024 - ()
Melanies Grave 2024 - ()
Reality Bites A Hannah Swensen Mystery 2025 - ()
Black Diamond 2025 - ()
Horror Able 2024 - ()
Fight Another Day 2024 - ()
Down Below 2024 - ()
Over The Red River 2024 - ()
Modì Three Days on the Wing of Madness 2024 - ()
Daytime Revolution 2024 - ()
Night of the Dead Sorority Babes 2025 - ()
The Lion King at the Hollywood Bowl 2025 - ()
Can You Feel the Beat The Lisa Lisa Story 2025 - ()
Flight Risk 2025 - ()
Disco’s Revenge 2024 - ()
The Coddling of the American Mind 2024 - ()
Death Without Mercy 2024 - ()
V/H/S/Beyond 2024 - ()
Mafia Wars 2024 - ()
Half decent action-thriller though the dialogue was poor and the performance by the lead henchman (played by William Moseley), a proxy antagonist with Gary Oldman's character under "house arrest", was awful and came across as a whiny bitch than anything intimidating. On the plus side, I did like both Olga Kurylenko and Amit Shah, and Oldman for his part, which he likely filmed all of his scenes in one day, had his moments, at least. The fight choreography wasn't bad and did like they avoided using CGI blood splatter too much and used actual squids instead. All in all, it wasn't terrible and served as a passable action-thriller. **3.0/5**
Olga Kurylenko almost makes it work. Almost. 'The Courier' makes for disappointing viewing, there isn't an element of it that I personally could file under 'good'. The aforementioned Kurylenko does try and her character is almost cool enough to make things watchable, but ultimately it's just all unconvincing. The, for the most part, one location is also an hindrance, for both Kurylenko's side of the story and for Gary Oldman's bit. Oldham's character is very lame, I at least had minimal interest in watching the lead but everything involving Mannings utterly bored me, to be honest. The iffy performances from Amit Shah and William Moseley don't help events either, while any Dermot Mulroney fans will be unhappy as that man gets a minuscule amount of screen time; I know it's none of my business, but I would be fascinated to see how much he got paid for this. The editing is also quite whiplash-y, particularly across the opening half of the movie. The music is OK, if only due to the opening and closing credits. Safe to see, this title got served far greater stuff from the 2020 namesake with Dominic Cooke and Benedict Cumberbatch!
A blind musician hears a murder committed in the apartment upstairs from hers that sends her down a dark path into London's gritty criminal underworld.
In a flooded future London, Detective Harley Stone hunts a serial killer who murdered his partner and has haunted him ever since — but he soon discovers what he is hunting might not be human.
Karl Anton Verloc and his wife own a small cinema in a quiet London suburb where they live seemingly happily. But Mrs. Verloc does not know that her husband has a secret that will affect their relationship and threaten her teenage brother's life.
Jack Manfred is an aspiring writer who to make ends meet, takes a job as a croupier. Jack remains an observer, knowing that everything in life is a gamble and that gamblers are born to lose. Inevitably, he gets sucked into the world of the casino which takes its toll on his relationships and the novel he is writing.
Detective Sherlock Holmes and Dr. John Watson join forces to investigate a mysterious murder at Buckingham Palace. It seems like an open-and-shut case as all signs point to Professor James Moriarty, the criminal mastermind and longtime nemesis of the crime-solving duo. When new twists and clues begin to emerge, the world's greatest sleuth and his trusted assistant must now use their legendary wits and ingenious methods to catch the killer as they only have four days before the queen becomes the next victim.
A female executive and a night janitor conspire to commit a daring diamond heist from their mutual employer, The London Diamond Corporation.
A serial killer named The Shark is terrorizing London by killing his victims with a speargun and then, dressed in a scruba-diver's wetsuit, using the city's sewer tunnels to make his getaway.
Benjamin Franklin Gates and Abigail Chase re-team with Riley Poole and, now armed with a stack of long-lost pages from John Wilkes Booth's diary, Ben must follow a clue left there to prove his ancestor's innocence in the assassination of Abraham Lincoln.
Both Scotland Yard and an amateur American sleuth are tracking a master criminal known as The Frog. This moniker refers to the bulging-eyed mask worn by the evildoer, and is reflected by the frog icons painfully tatooed onto the forearms of his henchmen. The trail leads to the country manor of an enigmatic, steely-eyed nabob, whose repressed son has eyes for the artistes at the Lolita cabaret, and whose lovely daughter captures the fancy of both the American playboy and the villain himself. Murder, kidnapping and seduction ensue.
After a tied 1st place in a local stunt race, two drivers start a contest to decide who of them will own the prize, a dune buggy. But when a mobster destroys the car, they are determined to get it back.
Trapped in a London subway station, a woman who's being pursued by a potential attacker heads into the unknown labyrinth of tunnels beneath the city's streets