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Angoroj (1964; Esperanto for "Agonies") was the first feature film to be produced entirely in Esperanto. (Jacques-Louis Mahé, a friend of Raymond Schwartz and under the pseudonym of 'Lorjak', had however already produced a silent Esperanto publicity film before World War II, titled Antaŭen! (Onwards!). At the start of the 1960s Mahé, a professional photographic and cinematic expert, invested in the production of the first fictional film in Esperanto. Using a scenario by Mahé himself, the actors of the Internacia Arta Teatro (International Arts Theatre) presented a crime story, set in the Parisian periphery of petty thieves and cheats. Other notable people who played parts in the film included Schwartz (the commissioner), Gaston Waringhien (the voice-over) and many from the environs of the contemporary Paris, including a very young Michel Duc-Goninaz.

Dirty Harry Callahan returns for his final film adventure. Together with his partner Al Quan, he must investigate the systematic murder of actors and musicians. By the time Harry learns that the murders are a part of a sick game to predict the deaths of celebrities before they happen, it may be too late...

The wife of an American doctor suddenly vanishes in Paris. To find her, he navigates a puzzling web of language, locale, laissez-faire cops, triplicate-form filling bureaucrats and a defiant, mysterious waif who knows more than she tells.

Henry likes to kill people, in different ways each time. Henry shares an apartment with Otis. When Otis' sister comes to stay, we see both sides of Henry: "the guy next door" and the serial killer.

When affluent executive Wayne Hayes is kidnapped by a disgruntled employee and held for ransom in a forest, Wayne’s wife is forced to reckon with the FBI agents as they negotiate with the kidnapper.

Along with his new friends, a teenager who was arrested by the US Secret Service and banned from using a computer for writing a computer virus discovers a plot by a nefarious hacker, but they must use their computer skills to find the evidence while being pursued by the Secret Service and the evil computer genius behind the virus.

Wayne Dobie is a shy cop whose low-key demeanor has earned him the affectionate nickname "Mad Dog." After Mad Dog saves the life of Frank Milo, a crime boss and aspiring stand-up comedian, he's offered the company of an attractive young waitress named Glory for a week. At first both are uneasy about the arrangement, but they eventually fall in love. However, the situation becomes complicated when Milo demands Glory back.

Viktor, a methodical hit man, probably on his last job, has no plan for his retirement. He does not kill Nina, a woman sleeping beside his latest mark; then he follows her and rescues her from an attempted suicide. Nina is attracted to him, but also wants to know who he is. Her pursuit of his identity crosses the investigation of Lang, a brilliant police investigator who tries to inhabit the minds of the victims and the killer. Viktor's employer also wants to kill Viktor and his contact, an aging arms dealer and family friend. Does Viktor have a future?

OSTKREUZ tells the episodic story of 15-year-old Elfie, who literally and metaphorically inhabits a no-man’s-land between the two Germanies shortly after the fall of the Berlin Wall. The film deploys a neorealist aesthetic to reinforce the difficulties confronting the girl, and by inference, Germany.

Marcy Meyers is down on her luck. Faced with piling bills, the remnants of a failed marriage, and now an imminent home foreclosure, she has nowhere to turn but to the hope of a miracle. That miracle she finds in Shoot the Moon, a national game show that promises a one in a lifetime chance to win it all. But Marcy's faith in the show comes with a price. As her relationship with her daughter Alice is put to the test, the clock ticks towards a seemingly inescapable fate. Shoot the Moon tells the story of miracles and the extraordinary place they are found.

Cameroonian filmmaker Jean-Pierre Bekolo's newest work uses split-screens (at times, up to four images simultaneously) to present a fake documentary in which "the president" has disappeared; talk-show hosts, rivals, politicians and even rappers chime in on what may have occurred, and what their president for life has—or has not—done for Cameroon.