War of the Worlds Extinction 2024 - Movies (Mar 28th)
Sex-Positive 2024 - Movies (Mar 28th)
The Farmers Daughter 2025 - Movies (Mar 28th)
Dangerous Lies Unmasking Belle Gibson 2025 - Movies (Mar 28th)
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The Rule of Jenny Pen 2024 - Movies (Mar 28th)
Bring Them Down 2024 - Movies (Mar 27th)
Love Hurts 2025 - Movies (Mar 27th)
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One Million Babes BC 2024 - Movies (Mar 27th)
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Snow White 2025 - Movies (Mar 27th)
England’s Lions The New Generation 2025 - Movies (Mar 26th)
The Last Keeper 2024 - Movies (Mar 26th)
The Brutalist 2024 - Movies (Mar 25th)
Mufasa The Lion King 2024 - Movies (Mar 25th)
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The One Show - (Mar 29th)
On Patrol- Live - (Mar 29th)
The Last Word with Lawrence ODonnell - (Mar 29th)
The Rachel Maddow Show - (Mar 29th)
The Patrick Star Show - (Mar 29th)
Helsinki Crimes - (Mar 29th)
One Killer Question - (Mar 29th)
The Bold and the Beautiful - (Mar 29th)
Cops - (Mar 29th)
The Price Is Right - (Mar 29th)
The Young and the Restless - (Mar 29th)
Lets Make a Deal - (Mar 29th)
The Kelly Clarkson Show - (Mar 29th)
All In with Chris Hayes - (Mar 29th)
Diners, Drive-Ins and Dives - (Mar 29th)
Gold Rush - (Mar 29th)
Horrible Histories - (Mar 29th)
WWE SmackDown - (Mar 29th)
The Beat with Ari Melber - (Mar 28th)
Gogglebox - (Mar 28th)
What a throwback. That very split average rating chart makes for interesting reading; suppose it's down to a mixture of Spice Girls fans, people who have nostalgia for the film itself and people who have little to no knowledge of them before viewing. I'm at the nostalgia level, I'd say. I remember watching 'Spice World' when I was very young and liking it, not sure to what degree but I certainly remember it. I undoubtedly enjoyed their music growing up, entirely truthfully... they did some bangers, don't @ me. As for the film, which I probably haven't seen in 15+ years, I'll put it this way: Spice Girls as musicians: yes! Spice Girls as actresses: not quite. It's extremely cheesy and the acting is very subpar, but the likeability of Melanie Brown, Emma Bunton & Co. at least keeps it watchable; to me, anyway. Richard E. Grant commits to his role, while they also got James Bond himself, Roger Moore, involved. There are also a number of cameos. Their music is entwined well, I wouldn't class myself as a fan but I rate a fair amount of their songs. I can understand if you dislike this, I truly can, but I found it alright to be honest. I definitely wouldn't say it's anything good, or all that close, though. Fans of the group will love it, I presume.
A recently paroled ex-con who has trouble adjusting to the wacky normalcy of life outside of prison. He has spent the last three years behind bars after getting caught committing a crime and taking the rap for his much more dangerous pal.
Pop star Christopher Wilde has fame, fortune and a big-budget Hollywood movie awaiting him. But after meeting Jessica Olson, a down-to-earth girl from the Midwest, he is faced with following his heart or doing what's best for his career.
Mrs. Van Houten has shown signs of losing touch with reality, and her husband discusses possible treatment with Dr. Caligari, who says Mrs. Van Houten has a disease of the libido.
After the indomitable and beloved founder of a scrappy theater camp in upstate New York falls into a coma, the eccentric staff must band together with her clueless "crypto-bro" son to keep the thespian paradise afloat.
Under the pretense of having a picnic, a geologist takes his teenage daughter and 6-year-old son into the Australian outback and attempts to shoot them. When he fails, he turns the gun on himself, and the two city-bred children must contend with harsh wilderness alone. They are saved by a chance encounter with an Aboriginal boy who shows them how to survive, and in the process underscores the disharmony between nature and modern life.
On the eve of revolution, French activist and author Marquis and his talking penis, Colin, await judgment in the Bastille for allegedly plotting against the state. While Marquis dedicates himself to his art and Colin longs for action, the provocative pair unwittingly rouse the interest of competing ideological factions.
While trying to expose corruption and greed, television reporter Edison Carter discovers that his employer, Network 23, has created a new form of subliminal advertising (termed "blip-verts") that can be fatal to certain viewers.
Marcus, an average young man awakens to find his apartment under quarantine and completely isolated from the outside world. Ominous messages about toxins and evacuations plaster each screen of his various electronic devices, leaving his next door neighbor as the only person he has contact with. Scared, and with few resources, the two try to navigate there way through the indefinite wait - staving off hunger, boredom, and paranoia.
Stuck on the side of the road on their way to a social distance party, two contact-starved millennials try not to connect on an intimate level in this Reform Jewish absurd comedy about grief, changing plans, and the lengths we'll go to avoid direct communication with the people we love.