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There are five siblings all living in the same house in Sicily, of varying ages, and this film takes us through their lives, loves, trials and tribulations as they must deal with each other and their respective choices and aspirations as they all grow older and deal with tragedy. It’s told back to front, really, as we reflect on the life of “Antonella” (Viola Pusateri) whilst dancing around the timelines of what’s gone before. It was probably easiest to depict the initial stages of their lives as youngsters growing up and meeting life’s new challenges in different ways - boys, girls, hormones, you name it, and for me that segment of the film works best. As they all mature, though, it rather stagnates - a fair reflection on a daily grind best epitomised by the eldest, “Maria” (Eleonora De Luca) who has to take responsibility at a fairly young age and who never really loses, or knows how to lose, that, but not always the most scintillating to watch evolve. It’s that despair, with or without a capital ‘D’ that, together with the house in which they live, provides a rather depressing template for a story that sucks the joy and hope from their characters and leaves them as once aspirational now shells of women whom I found it quite difficult to either relate to nor to sympathise with. What I did like was the paucity of dialogue as it progressed. The imagery, repetitive at times but poignant too, starts to leave our own imagination to do some of the heavy lifting here as we fill in our own interpretation of many of the elements we don’t see or learn about directly from the screenplay. It’s at times quite a powerfully objective look at the constraining nature of close and intimate family life, but with little real attempt made to give these ladies much depth, I struggled to remain engaged.
Raj Badhu is a comical family drama that is based on a traditional Bengali joint-family life. It tells the story of family relations, of love and family values and the importance of society in our lives. It shows the complex story of different love relations and how its complications adversely affect the people involved. It shows the nature of man and how all things work out for the best in the end.
Wendy's quest for love leads her through toxic relationships, unwittingly exposing her children to turmoil. Back home, a shocking revelation - her brother Uncle Willie's dark influence over her vulnerable kids.
In the wake of her parents' divorce, 13 year old Nova is confronted by an identical but seemingly older version of herself called The Other, forcing her to admit her childhood is over.
In the 1930s, Count Almásy is a Hungarian map maker employed by the Royal Geographical Society to chart the vast expanses of the Sahara Desert along with several other prominent explorers. As World War II unfolds, Almásy enters into a world of love, betrayal, and politics.
A mix of home-video and documentary styles about a group of young people who have decided to get to know their “inner-idiots” and thus not only facing and breaking their outer appearance but also their inner.
As the romantic monsoon rains loom, the extended Verma family reunites from around the globe for a last-minute arranged marriage in New Delhi. This film traces five intersecting stories, each navigating different aspects of love as they cross boundaries of class, continent and morality.
Montreal, June 2025: Clémence, a young emerging musical artist, discovers the existence of her twin brother Simon, separated from her at birth. Eager to help her brother financially, Clémence naively falls for an online scam. The film explores the themes of family resilience and fraternal solidarity, while following the journey of Clémence, who is desperately trying to break in the music industry.
An honest driver tries to bring his corrupt employer to justice. However, things get complicated when he learns that his employer is actually his biological father.
When married couple Egon and Maren lose their adult son, their family, which includes their daughter Lily, is paralyzed with grief. As it turns out, the three of them have very different ways of coping with grief and soon find themselves slipping apart. Now the three of them need to find their way back to life and to reconstitute the family.
Hilarious but harrowing, the film charts the disintegration of the friendship between Renton, Spud, Sick Boy, Tommy and Begbie as they proceed seemingly towards a psychotic, drug-fuelled self-destruction.
A small-time hood must choose from among love, friendship and the chance to rise within the mob.
