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In every war...in every age...the forgotten weapon is food.... Alvarez Kelly is directed by Edward Dmytryk and stars William Holden & Richard Widmark. It's written by Elliott Arnold & Franklin Coen (Dan Taradash uncredited for tidying it up), the locations for the shoot are Baton Rouge & Clinton, Louisiana, with Joseph MacDonald on photography (Panavision). Story is apparently based on a true US Civil War incident in 1864, it sees Alvarez Kelly (Holden) kidnapped by Confederate's led by Tom Rossiter (Widmark) and forced to drive a herd of Union owned cattle to the hungry Reb troops in Richmond. Slow moving and blighted by a tepid script, Alvarez Kelly relies on its stars and photography to keep it out the trough. Evidently the makers were going for a social conscious piece based around an historical incident. All that is achieved is an overly talky piece, with periods of inane conversations; that is only briefly lit up by its action packed finale. And even then it can be argued that the "battle for the bridge" and the subsequent "stampede" isn't worth waiting 90 minutes for. The acting is solid, where Holden plays a role he could do in his sleep, and Widmark, sporting an eye patch, convinces as a rough and ready Colonel. Most pleasing is MacDonald's photography, not just for capturing the essence of the barren South in Baton Rouge, but also his choice of lenses for the top notch costuming (take a bow Seth Banks) afforded the ladies of the piece (Janice Rule & Victoria Shaw). There's a lovely print for this film, where in High Definition the colours positively ping from the screen. Dmytryk (Broken Lance/Warlock), Holden (The Horse Soldiers/The Wild Bunch) & Widmark (The Last Wagon/Cheyenne Autumn) owe Western fans nothing, but this is one from the three guys that's easily forgotten once the end credit rolls. 5/10
_**Confederate and Union troops fighting over a herd of cattle**_ During the partial siege of Richmond–Petersburg in September 1864 a troop of Confederates mean to acquire 3000 cattle from Mexico meant for consumption by the Union Army. William Holden plays the livestock businessman while Richard Widmark and Patrick O’Neal play opposing Confederate/Union officers. Roger C. Carmel is on hand as the Captain of a blockade runner. "Alvarez Kelly" (1966) is a Civil War Western based around the real-life Beefsteak Raid. It’s similar to “The Horse Soldiers” (1959), also co-starring Holden, mixed with “Major Dundee” (1965). While it’s the least of these, with “Horse Soldiers” easily being the best, it’s still worth checking out for those interested, just don’t expect a conventional Western or Civil War yarn. Critics complain that it’s too talky with not enough action, which I suppose is true, but I appreciated the settings and the authentic scruffiness of the Rebs, not to mention the wartime intrigue and a thrilling stampede in the last act. My top qualm would be how easy it seemed the cattleman is secretly taken into Richmond. Yet this can be overlooked on the grounds that it wasn’t a classic military siege wherein a city is fully surrounded and all supply lines cut off. You could still enter Richmond from the west. The flick scores well on the feminine front with stunning Southern belles Janice Rule, Victoria Shaw and Stephanie Hill, plus peripherals. The two stars became best buds during shooting. Widmark remarked how the four months of being constantly together during shooting was the equivalent of 10-15 years of friendship. Meanwhile Steve McQueen happened to be filming “Nevada Smith” in the same area and the three ran into each other one day wherein McQueen and Holden ended up drinking together for the rest of the evening. The movie runs about 1 hour, 55 minutes, and was shot in Louisiana (the vicinity of Baton Rouge), with the opening sequence done in the Southwest. GRADE: B-
Two families, abolitionist Northerners the Stonemans and Southern landowners the Camerons, intertwine. When Confederate colonel Ben Cameron is captured in battle, nurse Elsie Stoneman petitions for his pardon. In Reconstruction-era South Carolina, Cameron founds the Ku Klux Klan, battling Elsie's congressman father and his African-American protégé, Silas Lynch.
A Texan traveling across the wild West bringing the news of the world to local townspeople, agrees to help rescue a young girl who was kidnapped.
While the Civil War rages on between the Union and the Confederacy, three men – a quiet loner, a ruthless hitman, and a Mexican bandit – comb the American Southwest in search of a strongbox containing $200,000 in stolen gold.
The spoiled daughter of a Georgia plantation owner conducts a tumultuous romance with a cynical profiteer during the American Civil War and Reconstruction Era.
During America’s Civil War, Union spies steal engineer Johnny Gray's beloved locomotive, 'The General'—with Johnnie's lady love aboard an attached boxcar—and he single-handedly must do all in his power to both get The General back and to rescue Annabelle.
A cattleman's association hires a range detective to track down and capture a notorious rustler known as El Lobo.
Peterson has a plan to obtain all the ranches in the valley. He gives Carson a phony Spanish land grant and has him pose as the Mexican owner. When Fred and Fuzzy have their cattle stolen by Peterson's men, they quickly become involved in the scheme.
Bandera, Texas (THE COWBOY CAPITAL OF THE WORLD) is a captivating documentary that explores the vibrant history, unique culture, and enduring values of the small town of Bandera, Texas.
Following the Civil War, headstrong rancher Thomas Dunson decides to lead a perilous cattle drive from Texas to Missouri. During the exhausting journey, his persistence becomes tyrannical in the eyes of Matthew Garth, his adopted son and protégé.
A weary gunfighter attempts to settle down with a homestead family, but a smouldering settler and rancher conflict forces him to act.
Despite trying to keep his swashbuckling to a minimum, a threat to California's pending statehood causes the adventure-loving Don Alejandro de la Vega and his wife, Elena, to take action.