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It is interesting to watch this film now, in a week where a British MP has been brutally stabbed to death doing his job, and to maybe ask ourselves a question. What has the killing of a man ever actually achieved? It never makes anything any better. It serves to galvanise both sides and retrench enmities and bitterness that can take many years to wain. This film depicts one such story. That of a man who also passionately believed it was acceptable to take a life. His motives appear demonstrably justifiable as we watch this beautifully shot, frequently harrowing, depiction of the lead up to the atrocity of the Jallianwala Bagh massacre in 1919. It is told through the eyes of the assassin - Udham Singh (Vicky Kaushal) and over the course of the next two hours, we are exposed to the events that drove a decent man to commit the ultimate sin, and to pay the ultimate penalty. Whilst it does take a little while to get going, Shoojit Sircar develops a story replete with conflicting emotions, that offers a critique on the prevailing imperial attitudes and on the very value of life itself. It clearly, and succinctly, exemplifies the cruelty visited on people who just wanted to be left to govern themselves; and of the shockingly arrogant superiority complex of those who believed these people to be little more capable of such aspirations than pets, or sheep. The film looks stunning - the imagery of India from grand scale to violent aftermath; the settings in London - all add hugely to the gutsy integrity of this story. As with so much about the man himself, much is still be be made public about these events and about the true intent of the vice-regal, or British, governments in making an example of these unarmed protesters - but this surmising offers an entirely plausible assessment of man's inhumanity to man - and sadly, over 100 years on from this - we appear to have learned little about the merits of killing another human being - friend or foe.
It's quite the captivating story. Sadly, humanity seems to learn nothing from history, and so we are doomed to the fatal repetition of the past. This is one story that should have taught us a lesson, yet governments all over the world suppress and repress the truth. The non-linear film seems a little scattered in organization but picks up all the dangling pieces by the final reel.
Spurred by a white woman's lie, vigilantes destroy a black Florida town and slay inhabitants in 1923.
Badki and Chutki live a fun-filled life in Banaras, playing pranks, sneaking off to see a forbidden mujra, and soaking up all the excitement that goes on the ghats of the Ganga. Badki is aware that the family is in dire straits, but she and her mother protect Chutki at all costs. When things get worse, Badki decides to go to Mumbai and seek a living for the family.
A short film on eve teasing by Anurag Kashyap, it talks about issues related to gender sensitization and equality of genders.
An immigrant Indian mother fights the Norwegian foster care system and legal machinery to win back custody of her children.
Runaway Rinku gets forcefully married to already engaged Vishu. Both don't want this marriage and make a deal to go on their separate ways. The equation gets weirder when Rinku's lover Sajjad shows up and Vishu starts developing feelings for her.
Johny lives a dual life - as a popular starlet and an international criminal wanted by the police for a number of criminal activities. He meets his look-alike Gopi who comes from the village in search of a job; Johny offers Gopi the job; a salary and a house to live in. This job involves playing the role of Johny so that the real Johny can outsmart the police and commit his criminal activities with ease. He teaches Gopi his mannerism and etiquette with things going as planned. But Gopi eventually gets trapped - both by the police and the underworld criminal gang.
Autorickshaw driver Amal is content with the small, but vital, role he serves - driving customers around New Delhi as quickly and safely as possible. But his sense of duty is tested by an eccentric, aging billionaire, who, moved by Amal's humility, bequeaths him his entire estate before passing away. With only one month to discover and claim the inheritance, Amal's struggles with duty and wealth are threatened by all those around him - from a young injured beggar girl and a lovely store merchant, to the danger of the old man's upper-caste friends and siblings, all seeking to claim their share of the riches.
On February 15, 1992 in Milwaukee, Wisconsin, Jeffrey Dahmer, one of the world's most infamous serial killers, was convicted of 15 counts of murder and sentenced to 937 years in federal prison. This movie is based on events from his life.
Sudha Mishra is 67 years old, divorced woman that leaves the responsibility of taking care of her house by Sumit, her niece’s fiancé. The most important instruction given to Sumit was to ‘Feed The Fish & Water The Plants’. His very acceptance into the family was dependent on this instruction. When she returns a month later to her Vasant Kunj house, everything seems to be in order till she opens the bedroom door and a woman wearing white, wailing loudly.
Nominated for two primetime Emmy Awards in 1984, this made-for-TV movie follows the true story of American boxer Jack Dempsey, who became a media sensation in the 1920s as the world heavyweight champion. Based upon the book by Jack Dempsey and Barbara Piatelli Dempsey.