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Un Chien Andalou is an European avant-garde surrealist film, a collaboration between director Luis Buñuel and Salvador Dali.
Seppo, a forestry machine driver, receives an email from a mysterious woman called Miss Zahra, telling him about her money problems. Although his close friends claim the letter is a hoax, Seppo decides to follow his love abroad and save his heart for the chosen one.
A poor Sicilian family of moles has to emigrate to the United States. On their journey, they meet a fox who offers to help them.
Rev. Warren Addington, the pastor of an eastern evangelical church, is left a will wherein is given the location of a valuable mine in Montana, unknown to any other living person. He takes only one man into his confidence, Jack Beardsley, a westerner and a seemingly trustworthy man, who is familiar with the country.
Harvey Barton, a young cowboy, is happily in love with Kate Bowers, a pretty western girl. One day he calls at her home, shows her a handbill advertising a barn dance to be held at one of the nearby ranches, and asks her to go with him. On his way back to the ranch he comes upon a beautiful young woman, whose horse has met with an accident and Harvey dismounts and bashfully asks her if he can be of any assistance. She accepts his help and invites him to accompany her home. She is inclined to flirt and easily turns the foolish young cowpuncher's head, and the meeting ends with him inviting her to accompany him to the dance.
Garry Trudeau's classic characters (Mike Doonesbury, Zonker, etc.) examine how their lifestyles, priorities, and concerns have changed since the end of their idealistic college days in the 1960s. Preserved by the Academy Film Archive in 2012.
About a high school boy who accidentally got his girlfriend pregnant. They both agree that they’ll give up the baby for adoption when the child is born…. turns out things are not so simple.
Sergeant Jeong Cheol-min's squad are in a renovated stock room with no window. The squad members are well known to be a hardworking group until Councellor Hong Yeong-soo comes in and starts causing trouble. Hong Yeong-soo seems to have difficulties adjusting to this environment. Things in the army changes rapidly, Jeong Cheol-min and his crew find themselves under attack perceived as the aggressors.
Sink is set in Tomioka’s brightly coloured yet worn and grubby surreal world, where on this occasion we see commuter trains packed with deep sea divers reading pornography. Sealed off behind their protective shells from any real human contact, the commuters are clearly inspired by Tomioka’s experiences on Tokyo’s underground but perhaps represent everyone who shuts themselves away behind iPods, computers and books, afraid of real face-to-face human interaction.
