Gladiateur, glaive et fantasmes

Documentary about master director Roberto Rossellini, who tells details of his life and childhood and visits the places where he has lived and shot some of his most famous movies.

As Hong Kong's foremost filmmaker, Johnnie To himself becomes the protagonist of this painstaking documentary exploring him and his Boundless world of film. A film student from Beijing and avid Johnnie To fan, Ferris Lin boldly approached To with a proposal to document the master director for his graduation thesis. To agreed immediately and Lin's camera closely followed him for over two years, capturing the man behind the movies and the myths. The result is Boundless, a candid profile of one of Hong Kong's greatest directors and a heartfelt love letter to Hong Kong cinema.

A detailed history of documentary filmmaking in the US and the UK from 1929 to 1945. The first part, Working for Change, focuses on 1929-1941 and the social movements of the times, The Great Depression, The New Deal, and the awakening of the Leftwing in the UK. The second part, The Strategy of Truth, focuses on 1933-1946 and explores the role of film as propaganda during World War II, and the different forms it took in the US, the UK, and Germany.

The tale of Banda Singh Bahadur, one of the greatest warriors in Sikh history. He is chosen to fight Wazir Khan, governor of Sirhind, who had been terrorizing Punjab for decades.

An intimate portrayal of the everyday lives of Carthusian monks of the Grande Chartreuse, high in the French Alps (Chartreuse Mountains). The idea for the film was proposed to the monks in 1984, but the Carthusians said they wanted time to think about it. The Carthusians finally contacted Gröning 16 years later to say they were now willing to permit Gröning to shoot the movie, if he was still interested.

To many in the bodybuilding world, Calum von Moger is seen as the future of the sport. A two time Mr. Universe champion who has proven himself to have one of the greatest physiques currently on the professional stage; Calum was catapulted into social media stardom. Known for his resemblance to Arnold Schwarzenegger and dubbed Arnold 2.0. But a sudden and tragic bicep tear brought his training and goals to a grinding halt. Losing dozens of pounds of muscle and unable to train until fully recovering – Calum was forced to reassess his bodybuilding path and find a way to fight back up to the top. Calum von Moger: Unbroken chronicles his rise, fall, and now recovery as he moves into a promising career in television and film. Showcasing a man with an indomitable will that overcomes all the hurdles in his path and taking him to a place that both skeptics and doctors thought was impossible.

A sumptuous and sensual tale of intrigue, romance and betrayal set against the backdrop of a defining moment in European history: two beautiful sisters, Anne and Mary Boleyn, driven by their family's blind ambition, compete for the love of the handsome and passionate King Henry VIII.

A look at the different masculinities portrayed in Spanish cinema through time. (A sequel to “Barefoot in the Kitchen,” 2013.)

"No film may throw ridicule on any religious faith..." So began Article VIII of the Hollywood Production Code, a series of ethical guidelines that for forty years helped the motion picture industry produce many of the greatest and most family-friendly films in history. That was then, however, this is now. A revered "historical" movie quietly takes every opporturnity to lie and twist the facts in order to make Christians appear as backward, foolish hypocrites. An actress jumps at the chance to play a Christ-hating role, saying, "I'm an atheist, so it was a joy." One of Hollywood's most respected directors films a passion play written by a disciple of Friedrich Nietzsche, the father of the "God is dead" movement. Not surprisingly, the movie's Jesus helps crucify people and later confesses that satan is inside him. A media mogul states that "Christianity is a religion for losers."

As World War II rages, the elite Sixth Ranger Battalion is given a mission of heroic proportions: push 30 miles behind enemy lines and liberate over 500 American prisoners of war.

Both a visit to a very peculiar exhibition at the Bundeswehr Military History Museum in Dresden, Germany, as well as an unprejudiced look at the artistic depiction of violence throughout history and the ways in which that depiction has been gendered.