St. Pauli zwischen Nacht und Morgen

A young woman joins an exclusive women's health clinic only to discover it's run by feminist cannibals.

Detective Catherine Palmer is on the trail of an elusive serial killer. During her investigation she meets Vickie Kittrie, who belongs to an exclusive club of women who engage in secret sessions of bondage and S&M. Matters become even more complicated when Palmer finds herself attracted to Kittrie, leading to a brief lesbian encounter. Palmer soon learns that each victim belonged to this club of prominent, sexually experimental women. In order to catch the killer, Catherine must trust Vickie to guide her through the dangerous and illicit underground.

In order to bring a police commissioner under control, the criminal group that controls a notorious club that specializes in underage strippers, targets the young teenage daughter of the commissioner who is attempting to become independent by going out at night against her mother's wishes.

The streets of St. Pauli: a gangster who escaped from prison tries to run his little scams in various disguises.

Paul, the owner of a topless go-go bar on the Sunset Strip, isn't having a good day. His girlfriend, unbeknownst to him, is planning to rob his club, and his wife is having an affair with the hunky bartender.

A good doctor is out to stop his evil doctor brother from blackmailing his patients.

Angels of the Street or The Angel of St. Pauli is a 1969 West German crime film directed by Jürgen Roland and starring Horst Frank, Herbert Fux and Werner Pochath. It is set in the St. Pauli red light district of the port of Hamburg.

The dangerous violent criminal Willy Jensen flees from a prison in Hamburg and seeks shelter at his brother Heinz' apartment. Heinz, an honest taxi-driver, believes in his innocence and helps him - until Willy kills another man in a robbery. After an argument Willy takes his wife Vera, who now lives with Heinz, as hostage on his further flight from the police. Heinz feels responsible for his brother and trails him, which makes it look to the police as if he's helping his brother.

Illustrates both the powerlessness of the ordinary worker as well as an intimate portrait of the joys and sorrows of a small group of people in the harbor section of Hamburg.