Grass Is Greener

Bernadette Corporation describes this work as "A fashion film about the poetry of Stéphane Mallarmé and the color white." Produced for the 2000 Walker Art Center exhibition Let's Entertain, this short film employs a range of strategies to approach the idea of nothingness, emptiness, and vacuity, with an eye to how these notions relate to contemporary mass-cultural entertainment. Juxtaposing "documentary" takes on a fashion shoot with footage of semiologist Sylvère Lotringer giving an impromptu lecture on Mallarmé on a frozen lake, Hell Frozen Over maintains an ambiguous stance from which to both critique and celebrate the power of surface.

In late 2016, state lawmakers formally petitioned the DEA to loosen federal restrictions on cannabis for medical use. Without deliberating, the DEA rejected the petition, maintaining a decades-old prohibition alongside heroin and PCP. Enter THE GREEN STANDARD: a people's account of pot, prejudice, and the fight to end prohibition. Filmed for over a year throughout the US, the film looks at the men, women, and children on all sides of the issue and takes you inside their world of surprising highs and uncomfortable lows. From the refugee families of Colorado seeking treatment for their afflicted children to anti-legalization activists decrying the movement as greed-fueled hype, the film offers an unflinching view on our evolving perceptions of marijuana use, the untold costs of prohibition, and how legalization might (or might not) bring about relief. Moving, informative, and enlightening, THE GREEN STANDARD explores one of the most talked-about yet misunderstood issues in America today.

In “Everybody’s Cage”, German film artist Sandra Trostel turns John Cage and his approach to art into a tangible fascination, without giving in to explain just a single bit of it.

In-depth documentary about the story of easy listening, a popular music that is often said to be made to be heard but not listened to. The film looks at easy listening's architects and practitioners, its dangers and delights, and the mark it has left on modern life, from its emergence in the 1950s until its revival in the 1990s.

The documentary shows the awakening of the poor youth to social consciousness in the identification of life that imitates art with art that imitates life. It is the São Paulo chapter of the cultural history of national rap in the voice of its main exponents.

Folk-jazz composer/arranger Arthur Verocai was born in Rio de Janeiro. He has created challenging arragements and compositions for Brazilian artists Jorge Ben, Ivan Lins, Leny Andrade and Gal Costa. In 1972 Verocai recorded a self-titled solo LP. It is a stunningly innovative effort. It puts Verocai into a rarified field with the heavy string oriented music of Charles Stepney, David Axelrod and Frank Zappa. Released in a period marked by the Brazilian military government, the album fared poorly. Following its re-issue in 2003, the album has become a highly influential oft sampled classic (see Ludacris, MF Doom and Little Brother). The performance of this seminal 1972 record in its entirety brought the capacity Luckmann crowd to a stand still. According to Verocai, 'he had never played the record, alive or dead!' His delight can be seen on the DVD. The music has been mixed by Verocai himself in Rio. History turned on its head and musical justice served.

"A riveting, emotionally charged rock doc like none before it. This decade long journal follows the band and phoenix-like implosion and spiritual immersion of their front-man, who was born with a genius like gift to create hit music."

The story of Nobel prize nominee Dr Mechoulam from his early days as a child of the Holocaust in Bulgaria, through his immigration to Israel, and his career as the chief investigator into the chemistry and biology of the world's most misunderstood plant. Dr. Mechoulam ascertained that THC interacts with the largest receptor system in the human body, the endocannabinoid system.

The documentary tracks the diva's difficult progress as she emerges from the tough, testosterone-fuelled world of the big bands of the 30s and 40s, to fill nightclubs and saloons across the US in the 50s and early 60s as a force in her own right. Looking at the lives and careers of six individual singers (Billie Holiday, Ella Fitzgerald, Peggy Lee, Sarah Vaughan, Nina Simone and Annie Ross), the film not only talks to those who knew and worked with these queens of jazz, but also to contemporary singers who sit on the shoulders of these trailblazing talents without having to endure the pain and hardship it took for them to make their highly individual voices heard above the prejudice of mid-century America.

The story of The Boomtown Rats, who fought a conservative Ireland, broke through the UK punk scene, scored global No 1 hits and revolutionised the world with Bob Geldof’s Live Aid.