Daughters in Lust

Desperate to be free from her drunken, unloving mother Diane, the beautiful, scheming young Mini seduces her stepfather Martin and soon convinces him to join her in a sadistic scheme to have Diane declared insane. But their conspiracy soon escalates to murder and when John Garson, a young detective starts investigating, Martin and Mini begin to turn on each other.

Emilio Fernandez directs Dolores Del Rio and Pedro Armendariz in a classic tale of family and obsession. Raimunda's daughter Acacia hates her stepfather Esteban, and in order to escape her suffocating home life she's accepted a marriage proposal from a man she doesn't even love. But Esteban has become obsessed with Acacia, and in order to ensure that she doesn't leave he's plotting to murder the girl's unsuspecting fiancée. As Esteban's true nature emerges, mother and daughter must band together to support one another and make sure that their family bond remains strong even in the darkest of times.

Martin Hollmann, a young gardener meets his significantly older wife's daughter from her first marriage. Liesbeth Kröger is from his generation and they both get along well straight away. Shortly after his wife's death, Martin brings Liesbeth into his house as a housekeeper, and they both fall in love. The couple live together and soon decide to get married when Liesbeth becomes pregnant by Martin. But now the tragedy begins, because when registering at the registry office, Martin and Liesbeth, in the form of a strict bailiff, are officially declared that they have committed incest in accordance with Section 173 of the Criminal Code.

The Addams get tangled up in more wacky adventures and find themselves involved in hilarious run-ins with all sorts of unsuspecting characters.

Mamachan is a forty-year-old man, who gets involved in politics due to his father. He becomes a national leader and contests for elections. In the course of his work, he meets a young girl and falls in love with her. As fate would have it, she turns out to be the daughter of the woman he loved in his youth.

High school senior Tara is so painfully shy that she dreads speaking to anyone in the hallways or getting called on in class. But in the privacy of her bedroom with her iPod in hand, she rocks out - doing mock broadcasts for Miami's hottest FM radio station, which happens to be owned by her stepfather. When a slot opens up at The SLAM, Tara surprises herself by blossoming behind the mike into confident, "Radio Rebel" - and to everyone's shock, she's a hit!

A queen has a stepdaughter named Baby Love, whom she wants to sell as a bride to the highest bidder. Four individuals present themselves to the castle to contribute to a kind of auction, but the girl, route to all sexual experiences while still a virgin, prefers to set out and lose virginity with a young knife thrower who is, incidentally, also the queen's lover. Kidnapped, finally, by an actor of avant-garde theater, Baby Love chooses to live with him in a hermitage, while mother and buyers remain with egg on the face?

If there is one person Matthew Lancit can’t get out of his mind, it is his uncle Harvey. Dark rings around his eyes, pale, blind, his legs amputated. Like Harvey, the filmmaker also suffers from diabetes. He has the disease under control, but one question is always nagging at him: How much longer? His long-term (self-)observation reliably revolves around fears of infirmity and mutilation. He translates the feared body horror into film, stages himself as a zombie, vampire, a desolate figure. Lancit playfully anticipates his potential decline, serving up a whole arsenal of effects which – as video recordings prove – go back to his youth. It is not for nothing that the “dead” in the title is also reminiscent of “dad.” Because “Play Dead!” also negotiates his own role as a father.

Ayane is the daughter of a karaage (fried food) store owner, but she never liked karaage. Eventually, she left home, only to return 5 years later. Her family lives in the city of Usa in Oita Prefecture, Japan. She brings with her a young girl named Shirley, who is her step-daughter from her ex-husband.

Anna flees her home, where she has been victimized for years by her spineless father’s mean-spirited second wife, to be with her lover, an honest businessman yet to make his fortune. When he is accused of a murder he didn’t commit, the couple’s domestic tranquillity is upended, and a desperate Anna must rely on her cruel stepmother to help support their child.