Cat Burglar

Short film that accompanies A$AP Mob & Skepta's collaboration "Put That On My Set." The short film is a surrealist take on drug gangs, finding Rocky trafficking psychedelic butterfly wings as part of an organized crime ring. They run a tight moneymaking operation, and "Put That On My Set" showcases the importance of the rappers' crews in the illegal business.

This Crime Does Not Pay entry focuses on fake spiritualists. A mother is worried about her son, who is missing in action. Over time, she gives a con man all of the family savings to find reassurance that her son is all right. When she can no longer pay, events take a tragic turn.

Dong-chan dreams of selling clothes in Shanghai after saving up enough money by working in a warehouse in Dongdaemun. Ji-pyung met a Chinese woman named Mei Mei while working and introduced her to his brother. On the day after Mei Mei went to Shanghai, Ji-pyung was called by his boss. He was confronted about helping Chinese people imitate clothing patterns. In order to save his brother, Dong-chan used all his savings and found his boss who was in a karaoke bar.

While on the run, two criminals accidentally pick the same hiding spot and eavesdrop on their pursuers.

A strict elderly teacher suddenly begins to seem (or not to appear?) That the students in her class are no longer children, but terrible monsters, pursuing their mysterious goals.

This is a poetic film set in the times of Lenin's NEP. A ballet dancer steals a brooch and gives it as a present to another dancer. This is a crime of passion. A mysterious black ball is after the heroine. She runs away from it and manages to give the brooch in an exquisite pirouette movement, as shiny as diamond facets. What gives a stone its dazzling luster are its polished facets. But the real gem is love, and it's much harder to get than any diamond in the world.

In 1989, Jun-Jieh Wang enrolled in Hochschule der Künste, Berlin, a year when the Berlin Wall was pulled down and the fall of Communism in the communist states of Central and Eastern Europe and beyond. He was astonished by these dramatic events. Several issues concerning politics, ideologies, aesthetics as well as the forms, market and power of art had been preying on his mind for so long that he lost the ability to make artworks and even questioned the value of the existence of art. His passively reactionary state of mind in this period was clearly reflected in the works simulating low-quality B-movies or TV programs, such as Killer Girl, Odyssey III (1990), Love, Die, Daredevil, Odyssey IV (1991).

One dark gritty night, a poised Erin York and her unruly partner Jax identifies their target...Derrick. They trail him back to a grimy motel. After staking out the place for a few hours, they finally go in for the kill, but shit goes sideways when Erin recognizes the target, putting the entire mission in jeopardy.

Set against the backdrop of the execution of Ted Bundy in 1989, the story centers around a 16-year-old girl named Lauryn who makes a little extra money by taking and selling Polaroids of the people who are camped out near the prison, celebrating the execution.

Scuggs, the utterly unpleasant super of a Bronx tenement is driven to desperate measures by an innocent-appearing, but manipulative 11 year-old girl. Based on the graphic novel by American Master Will Eisner, Meinecke combines larger-than-life characters, borrows from the traditions of melodrama and applies a visual language derived from German Expressionists to create a haunting tale, that won particular favor with New York critics.