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Now it is quite possible that I just wasn't in the right frame of mind when I saw this, but somehow it just misfired. Luca Marinelli is the eponymous character hell bent on improving his lot from a pretty meagre upbringing. His opportunity comes when he rescues the young "Arturo" from some local bullies and when he is invited to his new friend's luxury home for a thank you lunch, meets the boy's sister "Elena" (Jessica Cressy) and it's love at first sight. Determined to elevate himself even more now, he falls in with noted, if slightly dissolute, socialist "Brissenden" (Carlo Cecchi) and whilst his newly found success satisfies his desire for wealth and self-improvement, it also serves to throw some obstacles in his path to true love. It is certainly a very stylish film to enjoy - the mix of colour and monochrome cinematography delivers well, and the score works well to complement the dialogue and the feelings of desire, frustration and maybe even danger as our hero's increasingly successful, politically driven work draws enemies from his peers and the authorities. I suppose, for me, it dwells a little too much on the introspection of a man that I didn't particularly care for; and as ever with films based around one single character - it's hard to stay engaged if that character isn't working for you. I hesitate to say I found it dull, it isn't dull, but then it isn't really very good either... Perhaps after a second watch, but I can't really think I will bother.
In a futuristic city sharply divided between the rich and the poor, the son of the city's mastermind meets a prophet who predicts the coming of a savior to mediate their differences.
At the height of the Vietnam war, Captain Benjamin Willard is sent on a dangerous mission that, officially, "does not exist, nor will it ever exist." His goal is to locate - and eliminate - a mysterious Green Beret Colonel named Walter Kurtz, who has been leading his personal army on illegal guerrilla missions into enemy territory.
In the smog-choked dystopian Los Angeles of 2019, blade runner Rick Deckard is called out of retirement to terminate a quartet of replicants who have escaped to Earth seeking their creator for a way to extend their short life spans.
Based on Michel Houellebecq's controversial novel, Atomised (aka The Elementary Particles) focuses on Michael and Bruno, two very different half-brothers and their disturbed sexuality. After a chaotic childhood with a hippie mother only caring for her affairs, Michael, a molecular biologist, is more interested in genes than women, while Bruno is obsessed with his sexual desires, but mostly finds his satisfaction with prostitutes. But Bruno's life changes when he gets to know the experienced Christiane. In the meantime, Michael meets Annabelle, the love of his youth, again.
Semi-retired Michigan lawyer Paul Biegler takes the case of Army Lt. Manion, who murdered a local innkeeper after his wife claimed that he raped her. Over the course of an extensive trial, Biegler parries with District Attorney Lodwick and out-of-town prosecutor Claude Dancer to set his client free, but his case rests on the victim's mysterious business partner, who's hiding a dark secret.
When a group of idealistic young men join the German Army during the Great War, they are assigned to the Western Front, where their patriotism is destroyed by the harsh realities of combat.
Two warriors in pursuit of a stolen sword and a notorious fugitive are led to an impetuous, physically-skilled, teenage nobleman's daughter, who is at a crossroads in her life.
Returning from a cricket match in Ireland, Peter Weston gains a pet alligator from another passenger who abandons it with him. He is horrified and while his first instinct is to get rid of it he develops a relationship with a young Irishwoman who appears to be entwined with the reptile. He soon discovers that Daisy is tame and seems to be the way to Moira's heart.
“My plan was to die before the money ran out,” says 60-year-old penniless Manhattan socialite Frances Price, but things didn’t go as planned. Her husband Franklin has been dead for 12 years and with his vast inheritance gone, she cashes in the last of her possessions and resolves to live out her twilight days anonymously in a borrowed apartment in Paris, accompanied by her directionless son Malcolm and a cat named Small Frank—who may or may not embody the spirit of Frances’s dead husband.
Director Carrie Cracknell makes her Met debut, reinvigorating the classic story with a staging that moves the action to the modern day, in a contemporary American industrial town.
Years into a benevolent alien occupation, mankind is still adjusting to its new overlords. Their technology initially held promise for global prosperity, but rendered most human jobs – and steady income – obsolete. When two teenagers discover the aliens are fascinated with human love and will pay for access to it, they decide to livestream their romance to make extra cash for their families.