Working

Based on Michael Morpurgo's novel and adapted for the stage by Nick Stafford, War Horse takes audiences on an extraordinary journey from the fields of rural Devon to the trenches of First World War France.

A young Irish boy named Keegan and Spanish girl named Moya journey into a magical world of the Megaloceros Giganteus who teach them to appreciate Riverdance as a celebration of life. Based on the stage show phenomenon of the same name and featuring Bill Whelan’s multi-platinum Grammy Award-winning music.

The special event is a stage show held on December 20, 2009 at Shibuya C.C. Lemon Hall, to commemorate the release of the movie Kamen Rider x Kamen Rider W & Decade Movie Taisen 2010. It features the casts and song artists from the Kamen Rider W TV series.

It's Tutter's birthday and viewers are invited to join Bear and the gang in the Big Blue House as they work together to plan a surprise party for Tutter. This stage production features many of the voices from the show and many of its songs as well.

These two birds back to join their voices, between lyric and tear, Serrat and Sabina. During a previous tour viewers could overthrow them both with one shot, but this time that these birds will soar on shotguns. Each with its splendor, with its poison. Joan Manuel Serrat keeps intact the moral, tough, committed contempt of difficult times, but always wrapped in the aura of a joy of living, in favor of simple pleasures, the melancholy of those trams transported to the beaches on Sunday to overcome people and returned to the city only defeated by the sun, with salty lips and burned skin. And among so many words of love Serrat, the hoarse cries of Sabina, both fused, and although the two crossing their songs, one with guitar and the heart will scratch another liver.

Sam Shepard's Pulitzer Prize-winning play in a production by The New Group, directed by Scott Elliott. Dodge (Ed Harris) and Halie (Amy Madigan) try to hang on to their farmland and their sanity while caring for their two wayward grown sons (Rich Sommer and Paul Sparks). When their grandson (Nat Wolff) arrives no one seems to recognize him and a secret must be kept.

A true story about one US and one USSR delegate who, during 1982 talks in Geneva between USA and USSR on limiting medium-range nukes in Europe, met by accident in a nearby forest while on a stroll and informally started a key discussion.

New York, 1930. Following a decade of creative explosion, the Harlem Renaissance is starting to feel the bite of the Great Depression. In the face of hardship and dwindling opportunity, Angel and her friends battle to keep their artistic dreams alive. But, when Angel falls for a stranger from Alabama, their romance forces the group to make good on their ambitions, or give in to the reality of the time. Lynette Linton directs a startling revival of this extraordinary play by Pearl Cleage.

‘Beauty is but skin deep, ugly lies the bone; beauty dies and fades away, but ugly holds its own.’ After three tours in Afghanistan, Jess finally returns to Florida. In a small town on the Space Coast, as the final shuttle is about to launch, Jess must confront her scars – and a home that may have changed even more than her. Experimenting with a pioneering virtual reality therapy, she builds a breath-taking new world where she can escape her pain. There, she begins to restore her relationships, her life and, slowly, herself.

National Theatre Live’s 2010 broadcast of Alan Bennett’s acclaimed play The Habit of Art, with Richard Griffiths, Alex Jennings and Frances de la Tour, returns to cinemas as part of the National Theatre's 50th anniversary celebrations. Benjamin Britten, sailing uncomfortably close to the wind with his new opera, Death in Venice, seeks advice from his former collaborator and friend, W H Auden. During this imagined meeting, their first for twenty-five years, they are observed and interrupted by, amongst others, their future biographer and a young man from the local bus station. Alan Bennett’s play is as much about the theatre as it is about poetry or music. It looks at the unsettling desires of two difficult men, and at the ethics of biography. It reflects on growing old, on creativity and inspiration, and on persisting when all passion’s spent: ultimately, on the habit of art.

As London's East End scrubs up for the coronation, Mr and Mrs Peachum gear up for a bumper day in the beggary business. Keeping tight control of the city's underground – and their daughter’s whereabouts.