Coming To England

A south London odyssey following Tobias, who sells counterfeit tobacco to fund his mother's return to Jamaica. The city reveals spectres of his community's history and an uncertain future.

A charming story about a West Indian girl who moves to 1950s London. Marcia has spent most of her 11 years living with her Jamaican grandmother but is sent to damp, dark London to start a new life with her parents. Missing her gran terribly, Marcia is surrounded by bullying schoolgirls, racism on TV and a jealous younger brother... Only her favourite pop star will help her feel at home. Concrete Garden is a wonderfully observed graduation film from director Alrick Riley. With warm performances from a young cast and exquisite detail in the production design, this tender short film powerfully evokes the trials and tribulations faced by kids settling in 1950s Britain.

A documentary featuring the stories and lived experiences from the Windrush generation in Wales. Through personal narratives, it explores their remarkable journeys, challenges and contributions to Welsh society.

Will bring together stories that celebrate their contributions to British life and culture, as well as shedding light on the reality of the struggle many faced to gain citizenship despite having lived and paid taxes in the UK for many years as a result of what became known as the Windrush scandal.

Irpinia follows the journey of young West Indian dreamer Dudley as he makes his way to England in the 1960s. At 24 years old, Dudley boarded a ship named Irpinia in search of a better life in England, the so-called motherland. Now 86, Dudley reflects on the exciting journey at sea and the harsh reality that lay ahead of him.

A boy must come to terms with the harsh reality of his immigrant status when his brother alarmingly doesn't come home.

“En Avant” highlights the internal struggle of a Black ballerina with self-acceptance as she faces racism in a white-dominated art form. It tells the story of one's battle with self-love through black-and-white imagery. After being cast in the lead role of a professional ballet, Ragan is pressured by the ballet’s director to lighten her skin with make-up, in order to be consistent with the white dancers on stage. She reluctantly goes along with the request, but with each performance in the lighter make-up, she feels more degraded. When a young adoring fan tells her she wants to be just like her, the dancer cannot continue to perform feeling such shame. She makes a decision to be authentic, and dance freely, in her own skin.

May, a nervous woman in her forties sits at home expecting the arrival at any moment of a new gentleman friend on the last 28 bus. May has never done this before. She's not sure how to dress for the occasion, uncertain of what to expect. She waits, and she waits...

When the government change the age for which free prescriptions are awarded, Frank, already battling with grief for his wife with Alzheimer’s, is forced to choose between paying for her care and his own health.

A girl from the slums happens to be the princess of a vast property.