পথের পাঁচালী

Runtime : 125 mins

Genre : Drama

Vote Rating : 7.9/10

Revenue : 536.4 thousand $ USD


Movie Website


Reviews for this movie are available below.

Plot : A depiction of the life of an impoverished early twentieth century rural Bengali family.

Cast Members

Disclaimer - This is a news site. All the information listed here is to be found on the web elsewhere. We do not host, upload or link to any video, films, media file, live streams etc. Kodiapps is not responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content streamed to/from your device. We are not connected to or in any other way affiliated with Kodi, Team Kodi, or the XBMC Foundation. We provide no support for third party add-ons installed on your devices, as they do not belong to us. It is your responsibility to ensure that you comply with all your regional legalities and personal access rights regarding any streams to be found on the web. If in doubt, do not use.
DMCA Policy
- Privacy Policy
Kodiapps app v7.0 - Available for Android. You can now add latest scene releases to your collection with Add to Trakt. More features and updates coming to this app real soon.
Tip : Add https://kodiapps.com/rss to your RSS Ticker in System/Appearance/Skin settings to get the very latest Movie & TV Show release info delivered direct to your Kodi Home Screen. Builders are free to use it for their builds too.
You can get all the very release news and updates direct from our Telegram group.
Our Twitter and Facebook pages are no longer supported.

Reviews

Part one of Satyajit Ray's trilogy introduces us to the poverty stricken family of the young "Apu" (Subir Banerjee). His family once had a guava orchard, but his poet and philosopher father "Harihar" (Kanu Bannerjee) had to trade that in to square up his profligate brother's debts. That now means that his mother "Sarbojaya" (Karuna Bannerjee) has to try to keep food on the table for them, his pilfering sister "Durga" (Uma Das Gupta) and their resident elderly aunt "Indir" (Chunibala Devi) - and that's not a task she relishes! With nothing much coming in, her's is the job of scraping together the means of buying food and living with the disdain of her neighbours. Finally, "Harihar" concludes that he must go and find work - so off he goes leaving the family to fend for themselves - and all of this with the monsoon season looming large over their dilapidated home. Being the first of a trilogy, this is much more of an establishing exercise - we get to meet the constituent parts of this happy but strained and frequently quarrelsome family; we see just how hand-to-mouth their existence is; we experience some of the culture of shame that is visited on those less fortunate - and we also get to appreciate the stoicism of a family with very little prospect of light at the end of their tunnel. What really adds richness to this story is the photography. It's so intimate in it's presentation. Everything here looks spontaneous and natural, the antics of the children - especially the fruit stealing sister; the boys playing and cavorting around. Even the constant bickering between aunt and mother comes across as entirely convincing. The jigsaw puzzle of his life is only gradually being put together, but you can sense that "Apu" is in for some adventures as he strives for a better life for him and his family, and even at a young age we all see his potential, and the potential for him to fail. I saw a 16mm print of this recently and though the subtitles had faded slightly, it was quite an astonishing production to watch and as an observation of subsistence life, it's really quite poignant.

Similar Movies

Magnolia

On one random day in the San Fernando Valley, a dying father, a young wife, a male caretaker, a famous lost son, a police officer in love, a boy genius, an ex-boy genius, a game show host and an estranged daughter will each become part of a dazzling multiplicity of plots, but one story.

Once Upon a Time in the West

As the railroad builders advance unstoppably through the Arizona desert on their way to the sea, Jill arrives in the small town of Flagstone with the intention of starting a new life.

Beloved Sisters

A love triangle forms between post-Enlightenment writer Friedrich Schiller and two sisters - one who became his wife, and the other, his biographer.

My Old Ass

An 18th birthday mushroom trip brings free-spirited Elliott face-to-face with her wisecracking 39-year-old self. But when Elliott’s "old ass" starts handing out warnings about what her younger self should and shouldn't do, Elliott realizes she has to rethink everything about family, love, and what's becoming a transformative summer.

Garden State

Andrew returns to his hometown for the funeral of his mother, a journey that reconnects him with past friends. The trip coincides with his decision to stop taking his powerful antidepressants. A chance meeting with Sam - a girl also suffering from various maladies - opens up the possibility of rekindling emotional attachments, confronting his psychologist father, and perhaps beginning a new life.

Summer in Berlin

When you read the title ‘Summer on the Balcony’ you probably think it will be a light Berlin summer comedy but it’s not. This film is an intimate study of two women friends who come to each other because of troubles with everyday life and with men and thus try to enjoy a life based on their ideas.

Guido Anselmi, a film director, finds himself creatively barren at the peak of his career. Urged by his doctors to rest, Anselmi heads for a luxurious resort, but a sorry group gathers—his producer, staff, actors, wife, mistress, and relatives—each one begging him to get on with the show. In retreat from their dependency, he fantasizes about past women and dreams of his childhood.

Tough Enough

From the youth directed novel of the same name by Greogor Tressnow comes a film by Detlev Buck that is a realistic portrait of life in the section of Berlin called Neukölln. It’s about power and weakness, delinquents and victims, and the difficulties a 15-year-old faces in a poor and criminal environment.

Maria Full of Grace

A pregnant Colombian teenager becomes a drug mule to make some desperately needed money for her family.

Caché

George, host of a television show focusing on literature, receives videos shot on the sly that feature his family, along with disturbing drawings that are difficult to interpret. He has no idea who has made and sent him the videos. Progressively, the contents of the videos become more personal, indicating that the sender has known George for a long time.

Distant Lights

Lichter is an episodic tale from Hans-Christian Schmid about the life on the border between Germany and Poland. The film sheds light on the everyday stories of escape and desperateness.