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**_Entertaining slasher set at the Cannes Film Festival_** A taxi-driver in the Big Apple is also a wannabe film director (Joe Spinell) who travels to the French Riviera to make connections at the famous film festival, particular with the starlet he wants to perform in his movies (Caroline Munro). People start mysterious dying. "The last Horror Film," aka “Fanatic” (1982), is a fun, but curiously obscure American slasher that only cost $2 million, yet that’s more than enough to make a quality slasher seeing as how “Halloween” cost just $325,000 four years earlier (the bulk of the budget was spent on expensive location shooting and permits). Caroline was 32 during shooting and attractive, but she was already beyond her physical prime, which can be observed in “The Spy Who Loved Me” five years prior. She has hair highlights throughout that detract from her beauty. However, there are peripheral beauties, which is to be expected given the setting. Despite the gory kills, this is not a scary slasher, such as the first “Friday the 13th.” There’s a wink of amusement to the proceedings, like it’s all a joke. But it can be enjoyed if you roll with it; it’s just not meant to be taken too seriously. The movie runs 1 hour, 27 minutes, and was shot New York City (opening scenes) and France (Cannes, Pont de la Vierge Noire and Château de Pelly), as well as Los Angeles (strip club) and Lake Geneva, Switzerland (castle sequence). GRADE: B-/C+
After picking up a traumatized young hitchhiker, five friends find themselves stalked and hunted by a chainsaw-wielding killer and his family of equally psychopathic killers.
Two young girls in New York City studying to be ballet dancers are chosen by a crazed sex fiend to be his next victims. He rapes one of them at gunpoint and then proceeds to stalk and terrorize both of them.
Two couples on an oceanside getaway grow suspicious that the host of their seemingly perfect rental house may be spying on them. Before long, what should have been a celebratory weekend trip turns into something far more sinister.
Paul Morse is a good guy. When his friends throw him a wild bachelor party, he just wants to keep his conscience clean - which is why he's shocked when he wakes up in bed with a beautiful girl named Becky and can't remember the night before. Desperate to keep his fiancée, Karen, from finding out what may or may not be the truth, he tells her a teensy lie. Soon his lies are spiraling out of control and his life is a series of comical misunderstandings.
Attractive Manhattanite Allison Jones has it all: a handsome beau, a rent-controlled apartment, and a promising career as a fashion designer. When boyfriend Sam proves unfaithful, Allison strikes out on her own but must use the classifieds to seek out a roommate in order to keep her spacious digs.
During his long career, bounty hunter Ralph "Papa" Thorson has caught over 5,000 criminals. Now, while he is working on apprehending fugitives in Illinois, Texas and Nebraska, he himself is being hunted by a psychotic killer.
Looking for work, Aaron comes across a cryptic online ad: “$1,000 for the day. Filming service. Discretion is appreciated.” Low on cash and full of naiveté, he decides to go for it. He drives to a cabin in a remote mountain town where he meets Josef, his cinematic subject for the day. Josef is sincere and the project seems heartfelt, so Aaron begins to film. But as the day goes on, it becomes clear that Josef is not who he says, and his intentions are not at all pure.
A group of friends head out for what is expected to be a vacation of hiking, camping and a good time, but when a backwoods mama finds them on her turf, it becomes anything but a vacation.
An innocent-looking doll is inhabited by the soul of a serial killer who refuses to die.
