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GRAND SUMO Highlights - (Nov 18th)
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Vinnie Jones In The Country - (Nov 18th)
Murdoch Mysteries - (Nov 18th)
Escape to the Country - (Nov 18th)
Ice Airport Alaska - (Nov 18th)
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The Chase Australia - (Nov 18th)
Tipping Point Australia - (Nov 18th)
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Belle Collective - (Nov 18th)
Baddies Midwest - (Nov 18th)
Joselines Cabaret Texas - (Nov 18th)
Tia Mowry- My Next Act - (Nov 18th)
Dessert Masters - (Nov 18th)
Letters and Numbers - (Nov 18th)
Forensics- Catching the Killer - (Nov 18th)
Watch What Happens Live with Andy Cohen - (Nov 18th)
The Real Housewives of Potomac - (Nov 18th)
In his film 'La tête dans les nuages' ('Head in the Clouds') Jean-Marie Teno criticizes the ills of the modern world and the regression of African societies. This short documentary shows the capital of the Cameroon, Yaondé, but might equally show other African cities: heaps of rubbish lie at the edge of streets, academics are out of work, officials unpaid, corruption is the norm, and misery everywhere. For Jean-Marie Teno 'colonization, civilization, independence, then humanitarian talk are merely excuses and theatrical gestures to ensure that Africa remains the place which foreign powers can exploit with a good conscience.'
Three years after being attacked by the evil Dr Heinz Mi'Hell, Mitch (Mitchell Lonergan) must return to the underworld along with Ivan (Skye Skelton) to reclaim the stone of power from clutches of Bunny Mitch (Mitchell Lonergan)
Sam is a teenager whose many anxieties manifest as a ghostly apparition of his mother that is determined to give him a panic attack.
He danced for fame. She danced through pain. For old times' sake and to new beginnings . . . in a fleeting moment.
King of the Cats (1984) is a short film adapted from the children's book of the same name by Paul Galdone, published in 1980. It tells the story of a gravedigger and a strange encounter he has at a cemetery, which he describes to his wife and their cat.
Bressane's second London film, shot in six days in his apartment. "I had seen the French avant-garde films of the 1920's and naturally the title cites Breton. But underneath it can also be read in many ways. It is a cinema that is invented on the spur of the moment, like you invent an instrument to play music and then abandon it. This film came out like an improvisation, a total risk. It is a deconstruction of meaning but not in the analytical, intellectual sense. I have always tried to lose myself with my films. There is no trace of American or French underground cinema. If anything, it is the idea of home movies, there were many ideas for digital films long before digital film existed. This film made itself, it was like a jazz improvisation. Amor Louco is a lost object, it doesn't speak any language, it has no signs, no letters, no captions. And in the scene where the cataract is cut with the razor blade, it was the adventure of the film itself that was put to the test".
The 19-year-old homosexual Leo has completed his high school diploma with flying colors, only in love he is unsuccessful. Although he has already had some experience with boys at his age, he does not seem to be able to build up a stronger bond with his own gender. This is mainly due to the fact that he feels because of his homosexuality as disregarded and marginalized. At least he maintains a very close friendship with Elli, who became his best friend during his baccalaureate. Her happy and combative nature impresses him greatly and with her help, he creates a well-functioning partner replacement: the typical youthful weekend escapism in the form of party, alcohol and drugs. He manages to escape...
A story of separation between a mother and her much loved daughter, who leaves the familial home in order to move in with her new boyfriend. Their relationship is incredibly complicated, full of jealously, love and hatred.
At her first audition, a young woman is asked by the casting director to talk about what is inside her handbag.
An estranged father, Eamonn, and his son, Sean, meet up after 15 years at a café in London to heal old wounds.