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As ‘Fuck You All: The Uwe Boll Story’ outlines in illuminating detail, it’s unfortunate that the two things Boll loved the most - writing and directing movies - were the two things he was the worst at. - Jake Watt Read Jake's full article... https://www.maketheswitch.com.au/article/review-fuck-you-all-the-uwe-boll-story-a-sympathetic-portrait-of-the-ultimate-hollywood-outsider
The film Journeys alongside the filmmakers behind Disneynature’s “Polar Bear” as they face profound challenges 300 miles from the North Pole. The team, who created a revolutionary arctic camp on site, navigated virtually impassible snow drifts and tenuous sea ice, garnering unprecedented footage revealing adaptive behaviors that surprised even this veteran team of filmmakers.
A chronological look at the creative life of Luchino Visconti (1906-1976). It examines his theatricality, role in the neorealist movement, use of melodrama, and relation to decadence. It touches on the impact of a fabulously wealthy childhood, his writing for "Cinema," his politics, his work with Renoir, his appreciation of Thomas Mann, and his deep knowledge of literature and the arts. Visconti moves constantly between film and the theater, staging plays provocatively, working with Maria Callas at La Scala, and shooting films in theaters. Clips from his films and interviews with actors, crew members, and critics provide details for this portrait of creativity.
Walter Hill sits down for a rare retrospective interview for his 1981 film "Southern Comfort".
This documentary is featured on Arrow Video's 2011 DVD & Blu-ray releases for The Beyond (1981).
Jeppy Bass is the story of a college student's struggles to make his thesis short film, entitled 'Damn Fine Cup'. After getting a behind-the-scenes look into the efforts taken to produce the film, we get a brief glimpse into the dark psyche of the filmmaker and perhaps the intentions behind the film.
In the summer of 1968, a group of people assembled in Great Barrington, Massachusetts. They were making a film of John Barth's 1958 novel The End of the Road.
A feature-length documentary film adaptation of the 1994 non-fiction book of the same name, chronicling the history of Mondo cinema and the "death film".
This film is at once a self-portrait and an homage to Jean-Marie Straub, Farocki's role model and former teacher at the Film Academy.
In the silent film era, movies were never really silent. In the background of films that made figures like Charlie Chaplin and Buster Keaton into cultural icons, were the musical giants whose compositions defined the very films that captivated a generation of movie-goers. Arthur Kleiner converses with the still-living legends from that bygone golden age of cinema.