Saturntage

Impression and interpretation: A film that relies on sensory techniques to tell a story about depression, alienation and ultimately loneliness.

After having visions of a member of her support group who killed herself, a woman who also suffers with chronic pain seeks out the widower of the suicide.

With their father away as a chaplain in the Civil War, Jo, Meg, Beth and Amy grow up with their mother in somewhat reduced circumstances. They are a close family who inevitably have their squabbles and tragedies. But the bond holds even when, later, male friends start to become a part of the household.

This movie portrays the drug scene in Berlin in the 70s, following tape recordings of Christiane F. 14 years old Christiane lives with her mother and little sister in a typical multi-storey apartment building in Berlin. She's fascinated by the 'Sound', a new disco with most modern equipment. Although she's legally too young, she asks a friend to take her. There she meets Detlef, who's in a clique where everybody's on drugs. Step by step she gets drawn deeper into the scene.

After her widowed father dies, deaf teenager Dot moves in with her godparents, Olivia and Paul Deer. The Deers' daughter, Nina, is openly hostile to Dot, but that does not prevent her from telling her secrets to her silent stepsister, including the fact that she wants to kill her lecherous father.

A film inspired by one of Germany's most visited blogs. The author of the site www.notesofberlin.com, Joab Nist, posts pictures of real announcements, notes, information that people leave in the streets of Berlin. The film follows 15 genuine notes and protagonists. The result is 15 funny, tragic, fascinating episodes about people and the city they live in. Twenty-four hours from the life of the city. The story begins with a note attached to a street lamp, with the message “For one minute please just stand here in silence, look at the sky and contemplate how amazing life is”. Is it possible that only a very drunk young man notices the text and looks upwards? An extraordinary mood picture of present-day Berlin and a declaration of love for the city.

When you read the title ‘Summer on the Balcony’ you probably think it will be a light Berlin summer comedy but it’s not. This film is an intimate study of two women friends who come to each other because of troubles with everyday life and with men and thus try to enjoy a life based on their ideas.

Director helmut Dietls and Patric Susskinds illustrate a legendary story of two lovers who cant keep themselves away from death.

Guido Anselmi, a film director, finds himself creatively barren at the peak of his career. Urged by his doctors to rest, Anselmi heads for a luxurious resort, but a sorry group gathers—his producer, staff, actors, wife, mistress, and relatives—each one begging him to get on with the show. In retreat from their dependency, he fantasizes about past women and dreams of his childhood.

From the youth directed novel of the same name by Greogor Tressnow comes a film by Detlev Buck that is a realistic portrait of life in the section of Berlin called Neukölln. It’s about power and weakness, delinquents and victims, and the difficulties a 15-year-old faces in a poor and criminal environment.

After a wonderful time in Hungary Sissi falls extremely ill and must retreat to a Mediterranean climate to rest. The young empress’ mother takes her from Austria to recover in Madeira.