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What makes ‘Memory: The Origins of Alien’ interesting is the way, as one critic puts it, “it was a synthesis that wasn’t done consciously“ of Giger’s biomechanical designs, Scott’s eye for striking compositions and O’Bannon’s fear of insects and the unknown. The Xenomorph, a symbiotic monster and classic cinema nasty, was created through a vast melting pot of the different influences brought to the film by three preternaturally creative people. In regards to outlining the complexities of this origin story, O. Phillippe’s documentary is an unqualified success. - Jake Watt Read Jake's full article... https://www.maketheswitch.com.au/article/review-memory-the-origins-of-alien-three-men-and-a-xenomorph
Honestly, there's not much to say about "Memory." Or rather, there isn't much to say about "Alien" that hasn't really been said before. Most of the information is stuff that's been talked about before. It was interesting to see some more information about the original idea for "Alien," that being the screenplay for "Memory." To be honest, not only would I like to see more about that, but I would actually like to see that movie. It's nice to have a single encapsulated version of all the background info and critical analyses of one of the most symbolic films produced in recent memory, but if you're a fan who's studied this film to death already, you're not going to find anything new or revelatory here. This is really only for fans of the original film. Others probably won't get much out of it.
The adventurous life of Natacha Rambova (1897-1966), an American artist, born Winifred Kimball Shaughnessy, who reincarnated herself countless times: false Russian dancer, silent film actress, scenographer and costume designer, writer, spiritist, Egyptologist, indefatigable traveler, mysterious and curious; an amazing 20th century woman who created the myth of Rudolph Valentino.
A portrait of the legendary actor Jean-Pierre Léaud, icon of the French New Wave and closely linked to the work of François Truffaut and Jean-Luc Goddard.
This is not merely another film about cinema history; it is a film about the love of cinema, a journey of discovery through over a century of German film history. Ten people working in film today remember their favourite films of yesteryear.
How African artists have spread African culture all over the world, especially music, since the harsh years of decolonization, trying to offer a nicer portrait of this amazing continent, historically known for tragic subjects, such as slavery, famine, war and political chaos.
In 1981, a film about the misadventures of a German U-boat crew in 1941 becomes a worldwide hit almost four decades after the end of the World War II. Millions of viewers worldwide make Das Boot the most internationally successful German film of all time. But due to disputes over the script, accidents on the set, and voices accusing the makers of glorifying the war, the project was many times on the verge of being cancelled.
Promotional documentary filmed at the London East End Docklands area and River Thames for the filming of the opening boat chase for The World Is Not Enough (1999).
Famous French director Tavernier tells us about his fantastic voyage through the cinema of his country.
In 1982, Wim Wenders asked 16 of his fellow directors to speak on the future of cinema, resulting in the film Room 666. Now, 40 years later, in Cannes, director Lubna Playoust asks Wim Wenders himself and a new generation of filmmakers (James Gray, Rebecca Zlotowski, Claire Denis, Olivier Assayas, Nadav Lapid, Asghar Farhadi, Alice Rohrwacher and more) the same question: “is cinema a language about to get lost, an art about to die?”
Charmian Carr, who played Liesl in the movie "The Sound of Music", takes a tour of the Austrian town of Salzburg, where the location shots of the movie were made. Includes behind-the-scenes footage from the making of "The Sound of Music".