Le Bougnoul

The true life story of Wendell Scott, the first black stock car racing driver to win an upper-tier NASCAR race.

A young, white school teacher is assigned to Yamacraw Island, an isolated fishing community off the coast of South Carolina, populated mostly by poor black families. He finds that the basically illiterate, neglected children there know so little of the world outside their island.

Parisian authorities clash with the Front de Libération Nationale (FLN) in director Alain Tasma’s recounting of one of the darkest moments of the Algerian War of Independence. As the war wound to a close and violence persisted in the streets of Paris, the FLN and its supporters adopted the tactic of murdering French policemen in hopes of forcing a withdrawal. When French law enforcement retaliated by brutalizing Algerians and imposing a strict curfew, the FLN organizes a peaceful demonstration that drew over 11,000 supporters, resulting in an order from the Paris police chief to take brutal countermeasures. Told through the eyes of both French policemen as well as Algerian protestors, Tasma’s film attempts to get to the root of the tragedy by presenting both sides of the story.

Raymond Lembecke is a con just out of prison after serving time for selling drugs for his mob boss Tony Vago. (Lembecke was innocent and took the rap for Vago.) Lembecke thinks Vago owes him big time so, when his former boss gets him a measly job in a warehouse, he decides on revenge and plans to steal a million dollars worth of drugs from him.

In 19th-century Louisiana's Cajun country, Belizaire is the informal spokesman for his citizens, who don't see eye to eye with local racists who wish to eradicate all Cajuns. Complicating matters is that Belizaire's former flame is now married to his biggest rival, an affluent landowner's son. Before he knows it, Belizaire is caught up in a web of murder, lies, and prejudice.

Walter Lee Younger is a young man struggling with his station in life. Sharing a tiny apartment with his wife, son, sister and mother, he seems like an imprisoned man. Until, that is, the family gets an unexpected financial windfall.

Co-directed by Blackwood and Julien, the first full-length feature film by Sankofa Film and Video offers a radical and necessary interrogation into what constitutes 'post-colonial' identity at a time of political and social restlessness in Britain. Set within an isolated desert landscape contrasted with recognizable scenes of the intensity of family life, this vanguard work demonstrates the richness and variety of the black experience; it is a poetic and hard-hitting commentary on the complexities of race, gender and sexuality.

On a cross-country trip to visit sites of US terrorism, four friends confront true stereotypes.

Rachid, a North African immigrant worker in the Fayard company for several years, saved to bring his wife Leïla and their son Larbi. They arrive in France for the first time. Leïla full of hope came to join her husband in exile. But very quickly, it is the shock: the difficult working conditions, the hard daily life of her husband and the surrounding grayness marked by anti-Arab racism does not bode well. The 30-episode series was first broadcast on May 17, 1976 on TF1, and is the first French series to address immigrant issues in France.

Frustrated when network brass reject his sitcom idea, producer Pierre Delacroix pitches the worst idea he can think of in an attempt to get fired: a 21st century minstrel show. The network not only airs it, but it becomes a smash hit.

A white boy and a black Jamaican girl have a day out in a city where racial hostility prevails.