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I will admit after seeing Gene Tierney in Laura a few years ago I am always looking for movies on TMC with her in them. While this movie doesn't live up to several others I have seen with Ms Tierney, such as: Laura, Leave Her to Heaven, or Heaven Can Wait, it is certainly worth a viewing. The cast is first rate and even though I am not a huge Tyrone Power fan, he won me over a tad in this film. Clifton Webb is brilliant again (he was in Laura) playing a person who continues to remind everyone he is not a stuffy socialite who is all about wealth, control, and status, even though he is just that. Anne Baxter whose tour-de-force IMO will be four years later in All About Eve, has less to do here and a character that is there to serve as Tierney's victim; much like Jeanne Crain was in Leave Her to Heaven. Although in both movies Tierney is more or less her own victim. I have to also mention Herbert Marshall who plays the writer of the book this movie is based on. His voice does some narration in the movie. More about that in a moment. But we also see him being a confidant and adviser to this circle of "friends" as he sits back and observes their behavior that becomes his novel. My one problem with this movie that takes my rating from a 9 to a 7 is the length. At 2 hours 25 minutes it tends to drag and if I were editing I would start with Tyrone Powers journey to India. That could have been another place we could have used Herbert Marshall's narration. I suspect the reason they did not cut that scene is because they devoted so much time to several of the other characters that Power would not have found himself on screen as often as a male star of a movie would expect to be. So even if you are not someone like me that wants to gawk at Tierney or Mr Power (for you females), it is a movie well worth watching. Just be prepared for some moments that drag and a couple unanswered plot holes at the end.
W. Somerset Maugham's intense character studies are all but impossible to adequately reflect on screen - even in a film that takes 2½ hours. That said, Edmund Goulding assembled a strong cast here to deliver a complex and nuanced series of inter-connected stories that centred around the relationship between "Larry" (Tyrone Power) and "Isabel" (Gene Tierney). Suffering from itchy feet the former left his fiancée and set off into the world. After the Wall Street Crash, she is invited to live with her socially ambitious uncle "Elliott" (Clifton Webb) in Paris and some ten years after he left, she is reunited with her erstwhile beau. Now, she finds herself completely smitten even though she is now married to the somewhat aptly named "Gray" (John Payne) and this is where the scheming Tierney comes into her own. Deftly, sometimes even cruelly, playing a game that pays scant regard for the feelings of her husband and showing a gritty determination to get what she wants. Power plays his character well, too - a straight as a bat, decent, human being; and with an an excellent effort from Anne Baxter as the tragedy-struck, slippery-slope headed "Sophie"; an equally on form Webb and a measured effort (and narration) from Herbert Marshall as the author himself, the acting talent on offer here is formidable. The adaptation, though is a bit meandering and the production as a whole just lacks something. Passion? That spark? I don't really know how to put a finger on it, but somehow it just doesn't quite catch fire.
In 1920s Chicago, Italian immigrant and notorious thug, Antonio 'Tony' Camonte, aka Scarface, shoots his way to the top of the mobs while trying to protect his sister from the criminal life.
After getting into a serious car accident, a TV director discovers an underground sub-culture of scarred, omnisexual car-crash victims, and he begins to use car accidents and the raw sexual energy they produce to try to rejuvenate his sex life with his wife.
An expansive Russian drama, this film focuses on the life of revered religious icon painter Andrei Rublev. Drifting from place to place in a tumultuous era, the peace-seeking monk eventually gains a reputation for his art. But after Rublev witnesses a brutal battle and unintentionally becomes involved, he takes a vow of silence and spends time away from his work. As he begins to ease his troubled soul, he takes steps towards becoming a painter once again.
Aparajito picks up where the first film leaves off, with Apu and his family having moved away from the country to live in the bustling holy city of Varanasi (then known as Benares). As Apu progresses from wide-eyed child to intellectually curious teenager, eventually studying in Kolkata, we witness his academic and moral education, as well as the growing complexity of his relationship with his mother. This tenderly expressive, often heart-wrenching film, which won three top prizes at the Venice Film Festival, including the Golden Lion, not only extends but also spiritually deepens the tale of Apu. Preserved by the Academy Film Archive in 1996.
When petty criminal Luke Jackson is sentenced to two years in a Florida prison farm, he doesn't play by the rules of either the sadistic warden or the yard's resident heavy, Dragline, who ends up admiring the new guy's unbreakable will. Luke's bravado, even in the face of repeated stints in the prison's dreaded solitary confinement cell, "the box," make him a rebel hero to his fellow convicts and a thorn in the side of the prison officers.
The life of a Russian physician and poet who, although married to another, falls in love with a political activist's wife and experiences hardship during World War I and then the October Revolution.
Senator Walter Chalmers is aiming to take down mob boss Pete Ross with the help of testimony from the criminal's hothead brother Johnny, who is in protective custody in San Francisco under the watch of police lieutenant Frank Bullitt. When a pair of mob hitmen enter the scene, Bullitt follows their trail through a maze of complications and double-crosses. This thriller includes one of the most famous car chases ever filmed.
The attractive Oberleutnant Paul Wendlandt is stationed in North Africa as a fighter pilot. While in Berlin to deliver a report he is given a day's leave, and on the stage of the cabaret theatre "Skala" sees the popular Danish singer Hanna Holberg. For Paul it is love at first sight. When Hanna visits friends after the end of the performance, he follows her, and speaks to her in the U-Bahn. After the party in her friends' flat, he accompanies her home and chance throws them further together when an air raid warning forces them to take cover in the air raid shelter. Hanna reciprocates Paul's feelings, but after a night spent together Paul has to return immediately to the front. There now follows a whole series of misunderstandings, and one missed opportunity after another. While Hanna waits in vain for some sign of life from Paul, he is flying on missions in North Africa. When he tries to visit her in her Berlin flat, she is giving a Christmas concert in Paris.
While grieving a terrible loss, a married couple meet two mysterious sisters, one of whom gives them a message sent from the afterlife.
Out of prison after a five-year stretch, jewel thief Tony turns down a quick job his friend Jo offers him, until he discovers that his old girlfriend Mado has become the lover of local gangster Pierre Grutter during Tony's absence. Expanding a minor smash-and-grab into a full-scale jewel heist, Tony and his crew appear to get away clean, but their actions after the job is completed threaten the lives of everyone involved.