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MORE REVIEWS @ https://www.msbreviews.com/ "The Sea Beast may follow familiar story beats, but Chris Williams still delivers one of the best animated movies of the year. The genuinely impressive animation stands out from the other technical elements, especially considering that virtually every scene includes water. Accompanied by an adventurous epic score, characters receive efficient, thought-provoking arcs, conveying essential life lessons about understanding other perspectives and shamelessly accepting changes in our personal opinion, in addition to the evident premise of not judging a book by its cover. Excellent voice work by the entire cast, namely Zaris-Angel Hator. Monster action is immensely entertaining for all types of viewers. Couldn't recommend it more for a family watch." Rating: B+
Wow! This is right up there with the Spider-Verse films as some of the best animation I've ever seen! I didn't want to look away from the screen lest I miss some of the amazing visuals. Absolutely beautiful animation. Water is notoriously one of the most difficult things to animate well, and the animators of this film make it look easy, like a cakewalk. Right from the get-go I was swept up into the world, and I absolutely loved the pirate-esque adventure the film starts with. Great world-building, and great characters – especially of the three leads. Jared Harris absolutely knocks it out of the park as Captain Crow, Karl Urban is excellent as Jacob, and Zaris-Angel Hator does an incredible job as the young Maisie. I've seen some comparisons being made to other films, and while that's warranted, I look at it as a compliment. _The Sea Beast_ combines some of the best elements of those films and yet still manages to have a fresh and engaging tale. This film is a whole lot of fun, it's visually beautiful, has likeable characters, and it's got humor to boot. – And, it has a great score by Mark Mancina. I definitely recommend this film. Also, I can tell you from experience that this is great chaser to Netflix's _One Piece_ 😊 ⚠️ It's a "blink and you'll miss it" line of dialogue, but a crewmember tells a child that it would be better to fall on the knife the child was just given than to disobey an order from the captain. If it was an adult talking to an adult, it would have been fine. It was just that the adult was telling a child this that it felt odd and like, "Uh, wait a minute." Now, in context, it's a pirate-y threat, which blankets it a little. But it's still problematic and something someone should not be talking to a child about. Find more reviews on my Letterboxd, as well as more movie-related content here: https://solo.to/mustachedmovieman
In the very first scene on the ship when Jacob and others began talking, I was waiting for somebody to say "Stop, Cut!" revealing that it was all just part of a movie set. But unfortunately, it didn't happen, and they continue talking in such a pretentious manner of speech 🥲 The main idea of this movie is quite common known, and even, to some extent, hackneyed in our time, as it has been used in many other pictures. The animation is of good quality. But comparing to Disney, Pixar, and other studios, it doesn't stand out. Therefore, I wouldn't emphasize anything in this one. My main complaint about this movie goes to screenwriters. So many dialogues, logical conclusions, and the overall flow of the entire movie felt like it was written by AI (like GPT). It was so boring, so predictable, lacked originality, and the characters seemed as shallow as the relationships between them. It was hard to believe that it was written by human writers. Which coincidentally aligned with the strike of screenwriters happening during that time. I wouldn't recommend anyone to watch it, and I am not going to watch it again, otherwise, I will fall asleep. My score is 5 (1-10)
When Ernest Shackleton is given the ship Endurance to reclaim the record for the furthest south expedition, his journey is cut short when his ship becomes trapped in the ice pack and begins to sink.
After years of being sheltered from the human world, the Turtle brothers set out to win the hearts of New Yorkers and be accepted as normal teenagers through heroic acts. Their new friend April O'Neil helps them take on a mysterious crime syndicate, but they soon get in over their heads when an army of mutants is unleashed upon them.
A man-cub named Mowgli fostered by wolves. After a threat from the tiger Shere Khan, Mowgli is forced to flee the jungle, by which he embarks on a journey of self discovery with the help of the panther, Bagheera and the free-spirited bear, Baloo.
Spanish Lothario Don Juan, the legendary lover and adventurer returns to Spain following a scandal and comes to the aid of his queen, who is under threat from sinister forces.
A man who loves when a plan comes together, Col. Hannibal Smith leads a close-knit team of elite operatives and Iraq War veterans. Framed for a crime they didn't commit, Smith and his men, Capt. H.M. ‘Howling Mad’ Murdock , Sgt. Bosco ‘B.A.’ Baracus, and Lt. Templeton ‘Faceman’ Peck, break out and go rogue, using their special talents to clear their names and find the perpetrator. Hot on their trail is Capt. Charissa Sosa, who was once involved with a member of Smith's team and has sworn to capture them, no matter what it takes.
Horrified at the prospect of her beloved school being sold, a young French girl named Madeline uses her wit and craftiness to attempt to save it, making an unlikely new friend in the process.
Survivors of a tragic shipping collision are rescued by a mysterious black ship which appears out of the fog. Little do they realise that the ship is actually a Nazi torture ship which has sailed the seas for years, luring unsuspecting sailors aboard and killing them off one by one.
The oldest ship in the fleet, Martha, and her jolly crew, must race Harald and win, or it's the scrappers next.
Scat Sweeney and Hot Lips Barton, two out of work musicians, stow away onboard a ship bound for Rio, after accidentally setting fire to the big top of a circus. They then get mixed up with a potential suicide Lucia, who first thanks them, then unexpectedly turns them over to the ship's captain. When they find out that she has been hypnotized, to go through a marriage of convenience, when the ship reaches Rio, the boys turn up at the ceremony, in order to stop the wedding, and to help catch the crooks.
A young girl comes to an embittered town and confronts its attitude with her determination to see the best in life.
In the 17th century, long before modern science and in a time of great fear of the unknown, the villagers of a small coastal community find themselves drawn to, and suspicious of, Morag, a remarkable but mysterious woman who is uniquely connected to the nature that surrounds her. Survival is a daily and all-consuming struggle that is thinly forged from an inclement sea and pushed to the edge of the land by merciless feudal landowners. But it is Morag's passionate relationship with John Tullock, who is unwittingly pledged to marry Sinéad, that threatens to tear the community apart.