Finding Tony 2024 - Movies (Feb 27th)
Gladiator II 2024 - Movies (Feb 27th)
Bookworm 2024 - Movies (Feb 27th)
Captain America Brave New World 2025 - Movies (Feb 27th)
Kraven the Hunter 2024 - Movies (Feb 27th)
Den of Thieves 2 Pantera 2025 - Movies (Feb 26th)
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Heretic 2024 - Movies (Feb 25th)
Hellboy The Crooked Man 2024 - Movies (Feb 25th)
Eric Clapton Unplugged… Over 30 Years Later 2025 - Movies (Feb 25th)
Matthew Perry A Hollywood Tragedy 2025 - Movies (Feb 25th)
Take That This Life – Live In Concert 2024 - Movies (Feb 25th)
Cellphone 2024 - Movies (Feb 24th)
Into the Deep 2025 - Movies (Feb 24th)
Sisterhood Inc. 2025 - Movies (Feb 24th)
Bottom Feeders 2024 - Movies (Feb 24th)
Veselka The Rainbow on the Corner at the Center of the World 2024 - Movies (Feb 23rd)
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The Kelly Clarkson Show - (Oct 2nd)
Swamp People - (Feb 28th)
Fugitive Hunters Mexico - (Feb 28th)
Next Level Chef - (Feb 28th)
Love Is Blind, Habibi - (Feb 28th)
TNA iMPACT - (Feb 28th)
Southern Hospitality - (Feb 28th)
Going Dutch - (Feb 28th)
Impractical Jokers - (Feb 28th)
Tyler Perrys Sistas - (Feb 28th)
The Last Word with Lawrence ODonnell - (Feb 28th)
Yellowjackets - (Feb 28th)
Animal Control - (Feb 28th)
The Rachel Maddow Show - (Feb 28th)
Law and Order- Special Victims Unit - (Feb 28th)
The Beat with Ari Melber - (Feb 28th)
All In with Chris Hayes - (Feb 28th)
The Traitors - (Feb 28th)
Law dis-Order - (Feb 28th)
Children Ruin Everything - (Feb 28th)
Decent watch, probably won't watch again, and can't recommend unless you're just dying for more Harold and Kumar. The movie feels very forced. A buddy adventure, like the first two movies made sense, but a "reconnection through adversity" trope feels tired and it seems to take a lot, to include new buddy teams and cross competition just to get them to a point where their buddy adventure high jinks can start and we get some nostalgia for the previous movies. The Neil Patrick Harris bit feels super problematic, though it is HIM doing it so I guess it is okay. It's a "Harold and Kumar" adventure in a movie about moving away from "Harold and Kumar adventures" towards something about responsibilities and putting family first.
**It has quality, it has several interesting points to observe, but it has a stupid humor that is completely lost by the message it conveys about drugs and sex.** I saw this movie on television by mere chance, just now, and I confess that I didn't like it. It is in fact a light film, it has some good scenes and moments, it even has several quality points as I will discriminate, but if we think about it, its style of humor, based almost entirely on jokes about sex, use of all kinds of drugs and such, spoils everything. I know there are people who like these easy laugh comedies, but I'm far from being one of them. Kal Penn and John Cho give life to the main characters, who they already know very well because it is the third film in this franchise (which I haven't seen and, after this, I won't see it). The film also introduces us to Danny Trejo, Paula Garcés, Richard Riehle and Danneel Ackles, to name just a few supporting actors in this film. The actors are doing what they can with the material at hand, I think that's one of the redeeming values of this film, but there's not much they can do when the material is intentionally bad and still makes money. On a technical level, what I liked the most were the stop-motion animations that appear in a given situation in which the protagonists are stoned. It was a quality asset, and using it was creative and original, even though the film isn't worth our time and money. The settings are also good, especially Cho's house, overloaded with decorations and Christmas lights to the point of being cheesy, thus evidencing the lack of taste of its owner, a drug addict of Korean descent who simply gets rich. The soundtrack also deserves a positive note, if only for its work with the classic songs of the season. As you can see, the film had the potential to be very interesting and was only lost by its lewd humor, the vile, absolutely despicable jokes, and the film's total obsession with sex and drugs. What was the target audience for this crap? Drug addicts and sex maniacs? A bunch of teenagers without any brains to think? Let's be honest: on the one hand, the film conveys the idea that Harold and Kumar (the junkies on duty, that is, the main characters) are totally irresponsible, immature and unworthy of being considered for a serious matter. This is a positive message because indeed drug users and sex addicts are despicable, irresponsible, unworthy of being considered mature or trustworthy. And I emphasize: marijuana, whatever the name you want to give it, is a drug and its consumption is addictive and leads to crime and death. It's an addiction like any other. However, on the other hand, and despite the fact that the film gives us this positive message, it also makes an apology for consumption! What do we see? People who have fun and laugh when they're high, even if they do stupid things! But drugs are like alcohol and all other addictions: at that moment it seems like a good idea, but in exchange for these moments, we sell our soul.
Marty and Doc are at it again as the time-traveling duo head to 2015 to nip some McFly family woes in the bud. But things go awry thanks to bully Biff Tannen and a pesky sports almanac. In a last-ditch attempt to set things straight, Marty finds himself bound for 1955 and face to face with his teenage parents - again.
A young French teenage girl after moving to a new city falls in love with a boy and is thinking of having sex with him because her girlfriends have already done it.
The final installment finds Marty digging the trusty DeLorean out of a mineshaft and looking for Doc in the Wild West of 1885. But when their time machine breaks down, the travelers are stranded in a land of spurs. More problems arise when Doc falls for pretty schoolteacher Clara Clayton, and Marty tangles with Buford Tannen.
Two musicians witness a mob hit and struggle to find a way out of the city before they are found by the gangsters. Their only opportunity is to join an all-girl band as they leave on a tour. To make their getaway they must first disguise themselves as women, then keep their identities secret and deal with the problems this brings - such as an attractive bandmate and a very determined suitor.
Indian and Cowboy are about to set off on a magnificent cruise on a luxury liner, but they have made a big mistake. They completely forgot that today is the first day of school! Goodbye tropical islands, our friends are back at their desks in school listening as the teacher drones on and on.
Rahul Seth is a dashing young millionaire who believes he is "western" enough to rebel against his mother and grandmother. They are not too keen about his Caucasian girlfriend Kimberly who, to make matters worse, is a pop star. Before you can say "karmic intervention," Kimberly dies in a freak accident and Rahul is devastated. Instead of allowing him to mourn in peace, Rahul's mother sees the opportunity she's been waiting for. She threatens to call off his sister's wedding unless he finds himself a "nice Indian girl." Rahul enlists the services of Sue, a fiercely independent escort whom he believes to be Hispanic, and therefore not "married" to the conventions taught to young Indian women. With a wink in her eye, Sue accepts the deal to pose as his Indian bride-to-be. She needs the money and having never been a fan of the typical Indian male, she feels her heart is safe. The charade begins....
An anthology of 5 different cab drivers in 5 American and European cities and their remarkable fares on the same eventful night.
Tobi and Achim, the pride of the local crew club, have been the best of friends for years and are convinced that nothing will ever stand in the way of their friendship. They look forward to the upcoming summer camp and the crew competition. Then the gay team from Berlin arrives and Tobi is totally confused. The evening before the races begin, the storm that breaks out is more than meteor-logical.
Bank robber Kalle Grabowski escapes from prison while his unemployed smalltime crook buddy is sitting around doing nothing after he just lost all their money. A fast paced comedy from German director Peter Thorwarth.
Crustacés et coquillages is a fresh French comedy film with numerous surprise turnarounds and about the tolerance of a family of four. The family spend an idealistic summer vacation together where each of the family members gets involved in a new or old relationship.
It’s Christmas and the charming city of York, home to Jules, 16 and her Dad, David is decked out ready for the festive season. In many ways, David and Jules’ relationship is no different from that of most fathers and their sixteen-year-old daughters. He struggles to understand her, she refuses to communicate with him. He wants to be involved in her life, she wants her own space. In one important respect, however, David and Jules share a profound bond: the death of Jules’ mum, and David’s wife, in a car crash two years before. With both struggling to cope with everyday life in the shadow of their loss, Jules, inspired by happy memories of her mum, decides to take matters into her own hands.