Sous les toits de Paris

A Broadway choreographer gets drafted and coincidentally ends up in the same army base as the boyfriend of his object of affection.

At New York's High School of Performing Arts, students from all walks of life get the chance to hone their skills as singers, actors, dancers, and more. Over four years, these young men and women will see if they truly have the dedication and talent to achieve success, while still juggling regular schoolwork, feelings of self-doubt, and budding romances.

In 19th century Paris, a maniac abducts young women and injects them with ape blood in an attempt to prove ape-human kinship but constantly meets failure as the abducted women die.

Carola has been running the family-owned circus alone since her husband’s death, but she suddenly finds herself at odds with her three adult sons who are also performance artists and want to have a say in how the business is run. The family discord leads Carola to turn her back on the circus, leaving the three inexperienced sons in charge. This turn of events forces the family to learn to work together or face bankruptcy.

Pickwick is a British television musical made by the BBC in 1969 and based on the 1963 stage musical Pickwick, which in turn was based on the 1837 novel The Pickwick Papers written by Charles Dickens. It stars Harry Secombe as Samuel Pickwick and Roy Castle as Sam Weller. This television production was based on the stage musical Pickwick which had been a commercial success. It was adapted for the screen by James Gilbert and Jimmy Grafton. The musical had premiered in the West End in 1963, again with Harry Secombe in the lead role. Running at 90 minutes and made in colour, the TV musical again had lyrics by Leslie Bricusse and a score by Cyril Ornadel. The book was by Wolf Mankowitz and it was directed by Terry Hughes. The programme was first transmitted on 11 June 1969 and again on 26 December 1969. One of the better known songs from the score is "If I Ruled the World". The cast of this production differed somewhat from that of the stage musical.

On a summer day in the 1950s, a native girl watches the countryside go by from the backseat of a car. A woman at her kitchen table sings a lullaby in her Cree language. When the girl arrives at her destination, she undergoes a transformation that will turn the woman’s gentle voice into a howl of anger and pain.

The tumultuous life of Arthur Rimbaud, the cursed poet, who completed his masterwork at the age of twenty, became an arms dealer and died at thirty-seven; and his passionate relationship with Paul Verlaine, full of wanderings, storms and falling out.

Mobster "Baby Face" Martin returns home to visit the New York neighborhood where he grew up, dropping in on his mother, who rejects him because of his gangster lifestyle, and his old girlfriend, Francey, now a syphilitic prostitute. Martin also crosses paths with Dave, a childhood friend struggling to make it as an architect, and the Dead End Kids, a gang of young boys roaming the streets of the city's East Side slums.

When Madea shows up for her 50th class reunion, you know it’s going to be a whopper! Between the belly laughs and the soulful songs are life lessons. Thanks to Madea’s wisdom, the message is clear: Learn to forgive and begin with yourself.

A jazz musician performs alongside a coat check girl with a beautiful voice in this musical drama from director Giancarlo Tallarico. By day Nate earns his living as a financial manager, but when night falls, he helps the girl with her singing career at the jazz club, where she performs one night a week. In time both realize they share something special other than the music.