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Matthew Perry A Hollywood Tragedy 2025 - Movies (Feb 25th)
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Daytime Revolution 2024 - Movies (Feb 21st)
Dancing with the Stars - (Feb 26th)
The Kelly Clarkson Show - (Feb 26th)
Allegiance - (Feb 26th)
Family Feud Canada - (Feb 26th)
Wild Cards - (Feb 26th)
Ishura - (Feb 26th)
Sort Your Life Out - (Feb 26th)
PopMaster TV - (Feb 26th)
Escape to the Country - (Feb 26th)
Lets Make a Deal - (Feb 26th)
The Price Is Right - (Feb 26th)
The Young and the Restless - (Feb 26th)
Deal or No Deal Island After Show with Boston Rob - (Feb 26th)
The Dog House Australia - (Feb 26th)
After Midnight - (Feb 26th)
The 11th Hour with Stephanie Ruhle - (Feb 26th)
Baddies Midwest and Baddies Gone Wild Auditions - (Feb 26th)
The Great House Revival - (Feb 26th)
Married at first sight - (Feb 26th)
The Real Housewives of Lagos - (Feb 26th)
A teenage boy, raised by a mother who considers herself psychic, takes a bullied kid into his group of violent misfits. As the group’s troubles escalate toward life-threatening situations, an inner voice awakens in the boy and, with the help of his mother and his new friend, he manages to find his own path.
Sites like OnlyFans, Flirt4Free, and JustforFans have destabilized the traditional production, distribution, and monetization of X-rated entertainment. The potential and risk to make the big bucks, along with all the headaches of running a business, is now in the hands of porn stars and starry-eyed newcomers working from home. Performers have become their own studios, producing, shooting, and casting their own work - often from their homes. And just like a Netflix account - people pay to watch. Sure, porn is still popular but it’s a one-way experience and guys don’t want to pay for it. They want the opportunity to get to know somebody they’ve seen in a magazine, on TV, or on social media. Meet your roster of online boyfriends.
Hua, a woman in her late twenties, goes against her family to become a teacher in Paris. She falls in love with men who physically abuse her. Will she ever find her true love?
A fresh face comes to Hollywood to act in movies but only the gay porn studios are eager to provide him with work.
An unusual journey into the heart of gay porn, a universe populated by a host of planets, which professionals commonly call niches. These are all fantasies of inclined tastes and libidos. Olivier Ghis tries to understand where these famous niches come from and what desires they meet.
Between 1975 and 1983 a new kind of film could be seen in French cinema : home-grown gay pornography. The films were shot in 16mm and most of them were passed and given certificates by the CNC (National Cinema Centre). They were screened in a small number of Parisian cinemas dedicated to gay pornographic films : Le Dragon, La Marotte and Le Hollywood Boulevard as well as several in the provinces. They were essentially the work of three production companies : Les Films de La Troïka (Norbert Terry), AMT Productions (Anne-Marie Tensi) and Les Films du Vertbois (principally Jacques Scandelari). The genre met an untimely end with the advent of video, the last being made in 1983 "Mon ami, mon amour (My friend, my lover)". Since then, gay pornography has not been screened in French cinemas. This film is the result of five years of painstaking research and investigation. It features extensive interviews with the directors and actors illustrated by numerous extracts from their films.
The lives of six people, who seem to have nothing more in common than their faraway homelands, become inextricably linked in Amsterdam, the city they have chosen as their new home.
Beto is a bus conductor married to Gilda, who longs to have a child. When Beto gets closer to Leia, owner of his favorite bar, he meets Valcir, a newcomer who completes the love triangle that results in pregnancy. Amid the difficulties in dealing with this situation, the characters run through the city and find out more about themselves as they learn to confront their personal conflicts.