Histeria de España

When Spanish Civil War ends in 1939, some of the women who played a leading role in the creative and literary boom known as Generation of 1927, stay in Spain, freely or not, sacrificing the spirit that had enlightened them, adapting themselves —or pretending to do so— to the new feminine role imposed by the victors, who were determined to cage these free souls at home, to live just as wives and mothers.

Cousins Thomas and David, owners of a mobile restaurant, team up with their friend Moby, a bumbling private detective, to save the beautiful Sylvia, a pickpocket.

In Memphis, Tennessee, over the course of a single night, the Arcade Hotel, run by an eccentric night clerk and a clueless bellboy, is visited by a young Japanese couple traveling in search of the roots of rock; an Italian woman in mourning who stumbles upon a fleeing charlatan girl; and a comical trio of accidental thieves looking for a place to hide.

The personal stories lived by the Uncle, the Father and the Son, respectively, form a tragic experience that is drawn along a line in time. This line is comparable to a crease in the pages of the family album, but also to a crack in the walls of the paternal house. It resembles the open wound created when drilling into a mountain, but also a scar in the collective imaginary of a society, where the idea of salvation finds its tragic destiny in the political struggle. What is at the end of that line? Will old war songs be enough to circumvent that destiny?

After a breakup, Wes ends up at a remote rest stop. He finds himself locked inside the bathroom with a mysterious figure speaking from an adjacent stall. Soon Wes realizes he is involved in a situation more terrible than he could imagine.

The first journey around the world began under the command of Ferdinand Magellan and was concluded by Juan Sebastián Elcano. Five boats left Seville on September 20, 1519. Storms, famine, tribes… Three years later, only one made it back. An incredible adventure around the planet whose roundness was finally proven.

A particular reading of the hard years of famine, repression and censorship after the massacre of the Spanish Civil War (1936-39), through popular culture: songs, newspapers and magazines, movies and newsreels.

Documentary series which uses film and eyewitness accounts from both sides of the conflict that divided Spain in the years leading up to World War Two, also placing it in its international context.

Constitutionally precluded from claiming any right to self-determination, the Catalans stick to their guns. The separatist movement is gaining ground in Catalonia. Notwithstanding the Spanish Constitution (which states that Spain is indivisible, making any referendum thereby unconstitutional), 2.3 million people voted in the November 2014 de facto referendum. The results speak for themselves: 81% of Catalans are in favour of independence. Seizing this historic moment, filmmaker Alexandre Chartrand gives a voice to the civil society figures who have been propelled to centre stage in national politics.

Actor Jeremy Irons embarks on an epic journey through the halls of the Prado Museum in Madrid, Spain, two hundred years after its inauguration, along corridors where thousands of masterpieces of all time tell the lives of rulers and common people, and tales about times of war and madness and times of peace and happiness; because, as Goya said, imagination, the mother of the arts, produces impossible monsters, but also unspeakable wonders.

The spotlight's on Parchís, a record company-created Spanish boy/girl band that had unprecedented success with Top 10 songs and hit films in the '80s.