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The Baldwins - (Feb 24th)
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What once started as a short film in 2016 now has become a full length feature film. Both directed by Jon Knautz, "The Cleaning Lady" tells the story of 'Shelly' (Rachel Alig), who becomes the cleaning lady for 'Alice' (Alexis Kendra). 'Shelly's face is terribly scarred and at first the introverted woman barely speaks, avoids eye contact and and her personality stands in a total contrast to 'Alice', who does makeup work for a living. 'Alice' fell terribly in love with 'Michael' (Stelio Savante), a married man. Knowing that this relationship is kind of toxic, she attends to a self help group, 'The Love Addicts' (same thing as the AA, just for the relationship thing), and the movie takes a while to get going. A little too long, because first this film feels a lot like a low budget drama and aside from the opening, where you see 'Shelly' putting rats into a blender, there is nothing horrifying going on for quite some time. So long, that you actually get bored with the film. We see the two women meet up for scheduled cleaning appointments, in between we get the relationship going back and forth and a deeper look into the childhood of 'Shelly', filled with abuse by her mother, scenes where they just sit down for dinner, doing makeup together... Boring stuff for the most part. When things finally get going, "The Cleaning Lady" turns into the Horror movie I was waiting for though, and I really liked how things played out. Unfortunately it took so long to get there, that I can't really call it a good film anymore. It is watchable and there are quite a few nice scenes if you have the patience to sit through the long intro, but if you don't, "The Cleaning Lady" might not be for you. The acting is fine and the burned skin effects look very convincing (especially if you seen what a beauty Rachel Alig actually is) and for this being an extension of a short film, it wasn't bad at all. But at least a little excitement during the first 30 to 40 minutes would have been nice.
_You're perfect now._ This movie will make you feel for Shelly and Alice in different ways. The slow pace of this works well cause it isn't something that can't be pushed quickly to the surface. Scars, both physical and mental, can run deep and the director shows this with the two women well. Also, damn Shelly has a backstory. Her mother is the worst. Pairing this with _Single White Female (1992) or Audition (1999)_ would make for a good double feature of a thriller viewing.
The psychotic son of a film producer becomes obsessed with a beautiful blonde starlet while in Cannes, lures her to his hotel room and strangles her. His mother finds out, but can she keep her mouth shut to protect her son? Meanwhile, the young killer meets another pretty blonde...
Harry Caine, a blind writer, reaches this moment in time when he has to heal his wounds from 14 years back. He was then still known by his real name, Mateo Blanco, and directing his last movie.
A small, seemingly innocuous plastic reel of film leads surveillance specialist Tom Welles down an increasingly dark and frightening path. With the help of the streetwise Max, he relentlessly follows a bizarre trail of evidence to determine the fate of a complete stranger. As his work turns into obsession, he drifts farther and farther away from his wife, family and simple life as a small-town PI.
A man obsessed with conspiracy theories becomes a target after one of his theories turns out to be true. Unfortunately, in order to save himself, he has to figure out which theory it is.
Terry is a small-time car dealer trying to leave his shady past behind and start a family. Martine is a beautiful model from Terry's old neighbourhood who knows that Terry is no angel. When Martine proposes a foolproof plan to rob a bank, Terry recognises the danger but realises this may be the opportunity of a lifetime. As the resourceful band of thieves burrows its way into a safe-deposit vault at a Lloyds Bank, they quickly realise that, besides millions in riches, the boxes also contain secrets that implicate everyone from London's most notorious underworld gangsters to powerful government figures, and even the Royal Family. Although the heist makes headlines throughout Britain for several days, a government gag order eventually brings all reporting of the case to an immediate halt.
A group of graduate students and scientists uncover an ancient canister in an abandoned church, but when they open it, they inadvertently unleash a strange liquid and an evil force on all of humanity.
Kate and her brutish boyfriend Big Al sell handguns on the streets of New York. She's smart, stylish, and self-confident, but all that leaves her when Al, in a jealous and self-indulgent rage, beats her. Three friends encourage her recovery: Vic, a woman who would like to be Kate's lover; Reilly, who runs with Al but also is attracted to Kate and repulsed by Al's violence; and, Liz, the counselor assigned to Kate from a battered-women's program. Vic and Reilly talk about killing Al, Liz gives pep talks; Kate remains frightened. Will Al's menace and Kate's dependency hold sway?
Aspiring Florida defense lawyer Kevin Lomax accepts a job at a New York law firm. With the stakes getting higher every case, Kevin quickly learns that his boss has something far more evil planned.
While at a slumber party, twelve-year-old Olivia is blamed for the horrific and mysterious death of her friend after singing a song, created by a reclusive mastermind, Milo, which summons a demonic figure known as “The Crooked Man.” Returning to her hometown six years later, a string of unusual deaths lead Olivia to believe that she’s still being haunted by whatever she saw that fateful night. Once you sing the rhyme, everyone in the house is cursed to die by his hands.
A deformed tormented girl drowns herself after her lover is framed for murder and guillotined. Baron Frankenstein, experimenting with the transfer of souls, places the boy's soul into her body, bringing Christina back to life. Driven by revenge, she carries out a violent retribution on those responsible for both deaths.