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Abigail (Christina Ricci) is a single mother of two who becomes pregnant after a one-night stand with Ben (Hamish Linklater). She's mature and down to earth; he suffers from Peter Pan syndrome and tends to put his foot in his mouth (trying to talk her into getting an abortion: “no one is going to want someone your age with three children”). In spite of his reaction, Abigail has sex with Ben again the same night she breaks the news to him; perhaps she thought she wasn't going to get any more pregnant than she already was. The next morning Ben decides that he not only wants to keep the baby but also attempt a relationship with her and her previous children – but this is more a whim than a well-thought-out decision; nearing 40, Ben thinks finally settling down is what he wants, or at least what he's supposed to want. At the same time, he sends Abigail mixed signals, to some extent paving the way for his eventual flight. Both engage in a vicious circle wherein she lowers her guard, and he lets her down; he returns with his tail between his legs, and she forgives him and takes him back. Ricci remains as capable and effective as she was when she debuted 30 years ago, and 10TWSDBWBU is a worthy addition to her eclectic filmography. That said, it's Linklater who elevates his game to a whole new level; his acting is so subtle you don't fully realize everything that's bubbling under the surface while watching the film – it's only as I write this that I reflect on the nuances of his performance. Ben could very well be a sociopath (and I think one character actually hints at that possibility). His boyish charm and rakish demeanor easily ingratiate him with Abigail and her family, and his immaturity and inexperience are the perfect excuse for his blunders – all the while underhandedly using Abigail's pregnancy, especially the deadline for an abortion, as some kind of ever-present ultimatum, to manipulate her. Writer/director Galt Niederhoffer doesn't expect us to like or dislike Ben; he leaves a small margin of ambiguity, enough for us to exercise our own judgment (though Linklater can convincingly turn the insanity all the way to 11, as he does in the Amazon Prime series Tell Me Your Secrets – another showcase for his mastery of the slow burn). Finally, 10TWSDBWBU (movies about lists are invariably bad, but in this case the title is misleading) is honest about what happens after happily ever after, and that alone makes it worth watching.
A transgender woman takes an unexpected journey when she learns that she had a son, now a teenage runaway hustling on the streets of New York.
The mother of a severely traumatized daughter enlists the aid of a unique horse trainer to help the girl's equally injured horse.
The brief life of Jean Michel Basquiat, a world renowned New York street artist struggling with fame, drugs and his identity.
After a whirlwind romance in Mexico, a beautiful heiress marries a man she barely knows with hardly a second thought. She finds his New York home full of his strange relations, and macabre rooms that are replicas of famous murder sites. One locked room contains the secret to her husband's obsession, and the truth about what happened to his first wife.
An Eastern European tourist unexpectedly finds himself stranded in JFK airport, and must take up temporary residence there.
Held in an L.A. interrogation room, Verbal Kint attempts to convince the feds that a mythic crime lord, Keyser Soze, not only exists, but was also responsible for drawing him and his four partners into a multi-million dollar heist that ended with an explosion in San Pedro harbor – leaving few survivors. Verbal lures his interrogators with an incredible story of the crime lord's almost supernatural prowess.
During their travel from Chicago to New York, Harry and Sally debate whether or not sex ruins a friendship between a man and a woman. Eleven years later, and they're still no closer to finding the answer.
Gabriel, Bobby and Costa are old friends from Altona, a multicultural hood in Hamburg. Just out of prison, Gabriel wants to turn his back on crime, but the others continue to operate as petty criminals. Friendships are tested as the trio navigate a dark world of mafia bosses and deals gone wrong.
A retired San Francisco detective suffering from acrophobia investigates the strange activities of an old friend's wife, all the while becoming dangerously obsessed with her.
A pregnant Colombian teenager becomes a drug mule to make some desperately needed money for her family.
Lichter is an episodic tale from Hans-Christian Schmid about the life on the border between Germany and Poland. The film sheds light on the everyday stories of escape and desperateness.