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In Nadodimannan, Padmanabhan plays a village youth who does not have a particular inclination towards any political party and joins any protest being held. He earns a living by participating in demonstrations for various political parties. He then reaches the city where he is strung to the upper levels of society and gets elected as the Mayor. His conflicts and attempts to cleanse the city form the rest of the story
It narrates the story of two grandmothers in the backdrop of their children, families, and an old age home.
Oru Indian Pranayakatha is about the life of a young political leader and his association with a woman who comes unexpectedly into his life.
Ezhu Sundara Rathrikal narrates the sequence of events that follow the protagonist's bachelor party.
Born to rich parents, Majeed falls in love with his not-so-affluent neighbor Suhra. After her father's death, when Suhra struggles to make both ends meet, Majeed pleads with his father to sponsor her education. Refused, he wanders off to distant lands.
A henpecked politician wants his name attached to a new bridge, even if that means destroying another, perfectly serviceable bridge.
Joppan's failed romance excuses him to be an alcoholic. Hoping to start a new life, he seeks out for some love but would fate favor him this time?
Panchayat Secretary Ullahanan leads a monotonous life till a college reunion rekindles excitement in his 20-year-old marital life and infuses in him a renewed sense of purpose and love for everything that he once took for granted.
Unnikuttan is a young man, who was born in the central jail. He considers jail as his second home. As a good Samaritan he takes on the punishments for petty crimes committed by others.
Karthi and Riya elope one early morning to Ooty, fearing that the elders in the family will not accept their inter-religious relationship. They return to their respective homes after a couple of days after having a fight. They convince their loved ones that they hate each other and vow never to see each other again. The film would then trace the eventual course of their lives.
Kadhaveedu' is a dedication to Malayalam being accorded the Shresthabhaasha (Malayalam has been declared a Classical language in 2013) status and presents, as a single entity, three different stories penned by the doyens of Malayalam literature - Vaikkom Muhammed Basheer, M T Vasudevan Nair and Madhavikutty. The film is an anthology with adaptations of stories written by renowned Malayalam fiction writers Basheer, M. T. Vasudevan Nair and Madhavikutty (Kamala Surayya).. The stories have been tweaked to fit in a modern setting and the script has been conceived by the director himself.
