Die schönsten Beine von Berlin

A german film released in 1917 starring Pola Negri.

The second of Thomas Meighan's three 1927 vehicles, We're All Gamblers was also the first of two collaborations between Meighan and director James Cruze. Based on Lucky Sam McCarver, a play by Sidney Howard, the story concerns a refugee of the Lower East Side who rises to the uppermost rungs of the nightclub world, all for the sake of a "dame." Boxer Sam McCarver (Meighan) falls in love with society girl Carlotta Asche (Mariette Mische).

Based on the David Belasco stage production of the Max Marcin play in which heavyweight-champion Jack Dempsey played the role of the fighter, Tiger: This "behind-the-scenes look of a heavyweight-championship fight" looks much like all of the other boxing films in which the Champ gets involved in a frame-up and is asked to take a dive.

A Saxon prisoner rescues his Viking's captor's daughter, resulting in his freedom and their marriage.

Santussa, an orphan who becomes separated from her nurse en route to America to live with her grandfather, is cared for by gangsters who hide their stolen jewels in her ragdoll. In New York, Big Mike, finding Santussa a nuisance, dumps her and the doll in a trash can, where a newsboy finds her. After several adventures, Santussa finds her grandfather, the jewels are handed over to customs officials, and the gang of crooks is reformed.

Old Man Hathaway was a trapper and lived with his only daughter in the mountains. Pretty Claudine often went forth to visit the traps with him and one day, when no bound, they saw a youth kiss a maiden affectionately. Seeing a chance for an object lesson, the old trapper sagely shook his head, saying, "My child, such kisses are poison. Guard against them."

Walsingham Van Dorn has a fancy name but no money until he inherits 40 million dollars from a pair of wealthy, but wicked, uncles.

A royal princess gives her time to the Red Cross, and works alongside a young American doctor.

Just as Galeen and Wegener's Der Golem (1915) can be seen as a testament to early German film artistry, The Story of the Kelly Gang (1906) symbolizes both the birth of the Australian film industry and the emergence of an Australian cinema identity. Even more significantly, it heralds the emergence of the feature film format. However, only fragments of the original production of more than one hour are known to exist, preserved at the National Film and Sound Archive, Canberra; Efforts at reconstruction have made the film available to modern audiences.

The Closed Chain (German: Die geschlossene Kette) is a 1920 German silent film directed by Paul L. Stein and starring Pola Negri, Aud Egede-Nissen, and Carl Ebert.