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The year: 1948. Magic is everywhere, the hallmark of progress. Hardboiled gumshoe Philip Lovecraft is a PI for hire, but his latest case, a search for a missing book called “The Necronomicon,” leads him down darker alleys than he’s ever traversed before, filled with black magic and hideous creatures intent on doing him harm. Charged with protecting a virtuous dame, finding a magical tome, and unravelling a murderous mystery, Lovecraft will have only his wits, his fists, and a trusty pistol to come out alive. And in this world, coming out undead is a distinct possibility… Supernoirtural would be the perfect word for this film. Cast a Deadly Spell is a fascinating anomaly, a rare treat and a helluva fun ride. It was made for HBO in 1991, directed by Martin Campbell (GoldenEye, Casino Royale, The Mask of Zorro) and starring Fred Ward (as Lovecraft), Clancy Brown, David Warner, and Julianne Moore as Lovecraft’s ex-lover and current gun moll, Connie Stone. And since it’s inexplicably never been released on DVD, it’s never seen the audience that it deserves. This is a pitch-perfect blend of film noir, droll comedy, and Lovecraftian horror. The script (by Joseph Dougherty) is smart, funny without being silly, and filled with perfectly-placed nods to H.P. Lovecraft’s oeuvre. Fred Ward is fantastic as the gruff, acerbic detective, turning in one of the best modern-day performances of a noir PI. He has great fun with the über-noir dialogue. Case in point: > Hackshaw: You don’t believe in magic? > Lovecraft: I believe it, just don’t use it. > Hackshaw: Why? > Lovecraft: Personal reasons. > Hackshaw: And they are? > Lovecraft: Personal. or > Olivia: That’s quite a tie. > Lovecraft: Oh, thanks. > Olivia: Did it put up much of a fight? > Lovecraft: No, I snuck up behind it. Clancy Brown makes a magnificent gangster heavy, Julianne Moore would fit perfectly alongside Barbara Stanwyck as a classic noir dame, and David Warner is in prime form. Director Campbell fully embraces the tale’s pulpy roots and directs with the most stylish flair I’ve seen out of him; it’s almost as though he filmed it in the style of the old Roger Corman shlock films, with exaggerated shots and colors cranked up to 11. The performances ground the film and the direction gives it more class than its origins as a cheap made-for-cable movie should warrant. It’s a heady, exuberant pairing. With the talent both behind and in front of the camera for this made-for-TV flick, it’s incredible that it’s never seen a DVD release. It managed an ugly VHS transfer (and, thanks to the internet, a rather cruddy but serviceable copy can be downloaded) but it’s high time for HBO to release this gem on home video. Two-fisted, brawny action, horror-tinged, a tad campy (in all the right ways)…this is a magnificently fun film that needs to seen. Highest recommendation.
I guess the sequel to this is Witch Hunt, which I loved, and saw BEFORE Cast a Deadly Spell. It doesn't much matter only instead of the guy Dennis Hopper, you got Fred Ward, who is probably known to everyone as either "That guy from the Right Stuff" or "Remo Williams." And I grew up in a life surrounded by pulp trash novels. Westerns, mysteries, just dime novels that most people don't proudly display on a book shelf, but were more or less everywhere in my childhood home. There was always one laying around to pick up and devour. So when Cast A Deadly Spell and Witch Hunt hit my radar, they became insta-classics. Sam Spade set in a world of magic. Hard Boiled Detective trash novels meets HP Lovecraft horror trash novels... the perfect merging. Pure pulp entertainment. And ultimately chock full of references to both genres that only a family that loves it's trash can really appreciate. I'm kind of upset there wasn't a third film.
A Portland taxi dancer is a suspect in a series of murders involving her former customers.
Both Scotland Yard and an amateur American sleuth are tracking a master criminal known as The Frog. This moniker refers to the bulging-eyed mask worn by the evildoer, and is reflected by the frog icons painfully tatooed onto the forearms of his henchmen. The trail leads to the country manor of an enigmatic, steely-eyed nabob, whose repressed son has eyes for the artistes at the Lolita cabaret, and whose lovely daughter captures the fancy of both the American playboy and the villain himself. Murder, kidnapping and seduction ensue.
Walker investigates a murder connected with a missing government weapon. In addition, he tries to track down a teen on the run from a crime syndicate.
New York, 1929, a war rages between two rival gangsters, Fat Sam and Dandy Dan. Dan is in possession of a new and deadly weapon, the dreaded "splurge gun". As the custard pies fly, Bugsy Malone, an all-round nice guy, falls for Blousey Brown, a singer at Fat Sam's speakeasy. His designs on her are disrupted by the seductive songstress Tallulah who wants Bugsy for herself.
In late 1940s Los Angeles, Easy Rawlins is an unemployed black World War II veteran with few job prospects. At a bar, Easy meets DeWitt Albright, a mysterious white man looking for someone to investigate the disappearance of a missing white woman named Daphne Monet, who he suspects is hiding out in one of the city's black jazz clubs. Strapped for money and facing house payments, Easy takes the job, but soon finds himself in over his head.
The comic strip detective finds his life vastly complicated when Breathless Mahoney makes advances towards him while he is trying to battle Big Boy Caprice's united mob.
Treasure hunter Ben "Finn" Finnegan has sunk his marriage to Tess and his trusty boat in his obsessive quest to find the legendary Queen's Dowry. When he finds a vital clue that may finally pinpoint the treasure's whereabouts, he drags Tess and her boss, billionaire Nigel Honeycutt, along on the hunt. But Finn is not the only one interested in the gold; his former mentor-turned-enemy Moe Fitch, hired by rapper-turned-gangster Bigg Bunny, will stop at nothing to beat him to it.
A desperate socialite seeks her missing husband, troubled by bad investments and debts, with help from a private eye and the high-priced call girl hubby had been seeing.
An out-of-town heist becomes a nightmare for a crew of French burglars when they mistakenly rob the head of the Chicago mafia. Unaccustomed to the ways of the American underworld, it is not long before they have the mafia, the FBI and a couple of street gangs on their backs as they attempt to make their way back to Paris.
Lawyer Fröhlich has specialized in divorce cases and has become a star in this field. Along the way, he also divorced his own marriage. But his daughter and former wife are an integral part of his life, as is his marriage-mad father.