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When Calls the Heart - (Jan 13th)
Sister Wives - (Jan 13th)
90 Day Pillow Talk Before the 90 Days - (Jan 13th)
Home Town - (Jan 13th)
90 Day Fiance- Before the 90 Days - (Jan 13th)
Homestead Rescue - (Jan 13th)
A Bite to Eat with Alice - (Jan 13th)
Very Scary People - (Jan 13th)
Countryfile - (Jan 13th)
GRAND SUMO Highlights - (Jan 13th)
Snapped - (Jan 13th)
The Sunday Show with Jonathan Capehart - (Jan 13th)
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Dancing on Ice - (Jan 12th)
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The Great Pottery Throw Down - (Jan 12th)
Sunday Brunch - (Jan 12th)
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Rule of thumb: never remind the audience that they could be watching a much better film. Rocky III may not be the haymaker that the first two films of that franchise (a true one-two knock-out combo) were, but it’s arguably the saga’s last great chapter, and it might as well be Citizen Kane compared to This Is the Night, which appears to have been written and directed by a concussed Rocky Balboa. Dr. Johnson said that puns are the lowest form of humor, but this movie resorts to an even lower form: retrospective humor. For example, it's 1982 and Anthony Dedea (Lucius Hoyos), the young protagonist, calls Rocky III "The end of the trilogy, the last Rocky movie." HAHAHAHAHAHA! Get it? It's funny because they’re still making Ricky-related films. Anthony and his two friends (the lead in a teen comedy always has exactly two sidekicks) are bullied for getting into a pool with their shirts on — which I believe is one of the rare occasions in which bullying is actually justified, and perhaps even encouraged. Take your shirt off, or stay out of the pool. It’s not rocket science. Vincent (Frank Grillo), Anthony's father, is a failed restaurant owner who has to beg for a loan from wannabe mobster Frank Larocca (Bobby Cannavale); Anthony thinks this is "shameful" and that his father is a "coward." What a hypocrite. When Anthony takes off his shirt at the pool like a normal person, then let him talk about the shame and cowardice of others; meanwhile, as Vincent tells him, “shut up when you speak” (God bless you, Frank Grillo). Anthony becomes "Public Enemy Number One," and he and his friends outcasts, when he’s falsely accused of questioning Rocky Balboa's manhood. I personally love Rocky, but has the Italian Stallion really sparked such a level of fandom as we see in this film? I mean the kind of obsession usually reserved for Star Wars or Lord of the Rings. Elsewhere, there is a subplot that sees Marie (Naomi Watts) and Christian (Jonah Hauer-King), Anthony's mother and older brother, establish an emotional bond when she discovers his cross-dressing. The problem with this isn't whether it's queerbaiting or not, but that it unnecessarily prolongs a movie that's already well over 100 minutes. To think that just 20 years ago Watts starred in Mulholland Drive, and now she's relegated to the parts that should have been cut so the movie wouldn't be too long. All things considered, it might revolve around Rocky III, but This Is the Night doesn't have the Eye of the Tiger (nor, for that matter, the song of the same name).
Teenage best friends Mila, Hanna and Kati play matchmaker to their teachers while helping each other through their own budding romances.
Andie is an outcast, hanging out either with her older boss, who owns the record store where she works, or her quirky high school classmate Duckie, who has a crush on her. When one of the rich and popular kids at school, Blane, asks Andie out, it seems too good to be true. As Andie starts falling for Blane, she begins to realize that dating someone from a different social sphere is not easy.
Matthew, a college freshman, meets his dream girl in a dorm elevator during a blackout. He never sees her face, but instantly falls in love. In the morning, the power is restored, but the "dream girl" has vanished. All Matthew knows is that she lives in an all-girls dorm. He sets out on a semester-long journey to find his mystery girl among a hundred female suspects. Could it be Wendy? Dora? Arlene? Patty? Cynthia? Or the 95 other girls, any of whom could have been in that elevator with Matthew.
Min-Soo is a playboy who can't tolerate long term relationships. However, fate takes him to beautiful Hye-Won. While, Min-Soo becomes totally captivated by Hye-Won, Hye-Woon tries to resist Min-Soo, fearing their love will be shortened by her terminal illness.
In order not to end up as a lock keeper in the country like his father, 18-year-old Abel wants to go to the USA to become a stuntman. Girlfriend Merle is supposed to come along, but then finds out that she is pregnant.
Tod Lubitch is born with a deficient immune system. As such, he must spend the rest of his life in a completely sterile environment. His room is completely hermetically sealed against bacteria and virus, his food is specially prepared, and his only human contact comes in the form of gloved hands. The movie follows his life into a teenager.
Salvatore "Sal" Fragione is the Italian owner of a pizzeria in Brooklyn. A neighborhood local, Buggin' Out, becomes upset when he sees that the pizzeria's Wall of Fame exhibits only Italian actors. Buggin' Out believes a pizzeria in a black neighborhood should showcase black actors, but Sal disagrees. The wall becomes a symbol of racism and hate to Buggin' Out and to other people in the neighborhood, and tensions rise.
County Durham, England, 1984. The miners' strike has started and the police have started coming up from Bethnal Green, starting a class war with the lower classes suffering. Caught in the middle of the conflict is 11-year old Billy Elliot, who, after leaving his boxing club for the day, stumbles upon a ballet class and finds out that he's naturally talented. He practices with his teacher Mrs. Wilkinson for an upcoming audition in Newcastle-upon Tyne for the royal Ballet school in London.
Expecting the usual tedium that accompanies a summer in the Catskills with her family, 17-year-old Frances 'Baby' Houseman is surprised to find herself stepping into the shoes of a professional hoofer—and unexpectedly falling in love.