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Americas Newsroom - (Feb 16th)
Gutfeld - (Feb 16th)
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The Five - (Feb 16th)
The Ingraham Angle - (Feb 16th)
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Michael McIntyres Big Show - (Feb 16th)
Prosecuting Evil with Kelly Siegler - (Feb 16th)
The 1 Club - (Feb 16th)
Yellowstone to Yosemite with Kevin Costner - (Feb 16th)
The Sunday Show with Jonathan Capehart - (Feb 16th)
Match of the Day - (Feb 15th)
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Gladiators - (Feb 15th)
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Rule of thumb: never remind the audience that they could be watching a much better film. Rocky III may not be the haymaker that the first two films of that franchise (a true one-two knock-out combo) were, but it’s arguably the saga’s last great chapter, and it might as well be Citizen Kane compared to This Is the Night, which appears to have been written and directed by a concussed Rocky Balboa. Dr. Johnson said that puns are the lowest form of humor, but this movie resorts to an even lower form: retrospective humor. For example, it's 1982 and Anthony Dedea (Lucius Hoyos), the young protagonist, calls Rocky III "The end of the trilogy, the last Rocky movie." HAHAHAHAHAHA! Get it? It's funny because they’re still making Ricky-related films. Anthony and his two friends (the lead in a teen comedy always has exactly two sidekicks) are bullied for getting into a pool with their shirts on — which I believe is one of the rare occasions in which bullying is actually justified, and perhaps even encouraged. Take your shirt off, or stay out of the pool. It’s not rocket science. Vincent (Frank Grillo), Anthony's father, is a failed restaurant owner who has to beg for a loan from wannabe mobster Frank Larocca (Bobby Cannavale); Anthony thinks this is "shameful" and that his father is a "coward." What a hypocrite. When Anthony takes off his shirt at the pool like a normal person, then let him talk about the shame and cowardice of others; meanwhile, as Vincent tells him, “shut up when you speak” (God bless you, Frank Grillo). Anthony becomes "Public Enemy Number One," and he and his friends outcasts, when he’s falsely accused of questioning Rocky Balboa's manhood. I personally love Rocky, but has the Italian Stallion really sparked such a level of fandom as we see in this film? I mean the kind of obsession usually reserved for Star Wars or Lord of the Rings. Elsewhere, there is a subplot that sees Marie (Naomi Watts) and Christian (Jonah Hauer-King), Anthony's mother and older brother, establish an emotional bond when she discovers his cross-dressing. The problem with this isn't whether it's queerbaiting or not, but that it unnecessarily prolongs a movie that's already well over 100 minutes. To think that just 20 years ago Watts starred in Mulholland Drive, and now she's relegated to the parts that should have been cut so the movie wouldn't be too long. All things considered, it might revolve around Rocky III, but This Is the Night doesn't have the Eye of the Tiger (nor, for that matter, the song of the same name).
Primo and Secondo, two immigrant brothers, pin their hopes on a banquet honoring Louis Prima to save their struggling restaurant.
In early-1970s Las Vegas, Sam "Ace" Rothstein gets tapped by his bosses to head the Tangiers Casino. At first, he's a great success in the job, but over the years, problems with his loose-cannon enforcer Nicky Santoro, his ex-hustler wife Ginger, her con-artist ex Lester Diamond and a handful of corrupt politicians put Sam in ever-increasing danger.
Justin Cobb, a teenager in suburban Oregon, copes with his thumb-sucking problem, romance, and his diagnosis with ADHD and subsequent experience using Ritalin.
18-year-old school boy Helmut falls in love with fellow pupil Britta. He starts working for a Peace movement to get to know Britta. Britta, however, suddenly moves to San Francisco to live with her father and whilst there, finds a new boyfriend. Helmut studies, literature and politics in his home town and have a relationship with another girl from his former school, now studying medicine at the same university but they break up after having an affair with her roommate. Helmut begins a lot of short affairs with different women but still searches for his first girl.
Linus and David Larrabee are the two sons of a very wealthy family. Linus is all work – busily running the family corporate empire, he has no time for a wife and family. David is all play – technically he is employed by the family business, but never shows up for work, spends all his time entertaining, and has been married and divorced three times. Meanwhile, Sabrina Fairchild is the young, shy, and awkward daughter of the household chauffeur, who goes away to Paris for two years, and returns to capture David's attention, while falling in love with Linus.
A young boy frequently visits an old man who lives alone, keeping him always in good company. One night, he chances upon the old man watching a dated clip of himself as a cross-dressing boy. This sparks within the young boy an interest to find out more about the old man's past. What he ultimately discovers aids both him and the old man towards a richer understanding of how the weight of life and identity should be carried.
A British Guianese engineer starts a job as a high school teacher in London’s East End, where his uninterested and delinquent pupils are in desperate need of attention and care.
Selfhood follows 5 individuals and the difference between their sense of self compared to how they present theirselves to the outside world.
Occupied by family problems, a 13 year old Vojto takes every responsibility around the house. One day while on a train to school, he sees this girl, Kajka, and falls madly in love with her. Despite his busy life, he decides to win her heart by any means possible.
The film is about the love story between Murat and Selma. Murat is a masseur loved by his clients. Her biggest goal in life is to make her daughter Ebru happy. One day, he is assigned to the physical therapy of Abbas, one of the bosses of the underworld. He meets Selma, Abbas' daughter. The two, who did not get along at first, fall in love with each other over time. But the struggle between Abbas and his rival Kamil irreversibly affects Murat and those around him.
Based on Irish poet Brendan Behan's experiences in a reform school in 1942. A 16 year-old Irish republican terrorist arrives on the ferry at Liverpool and is arrested for possession of explosives. He is imprisoned in a Borstal in East Anglia, where he is forced to live with his would-be enemies, an experience that profoundly changes his life.