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The Many Saints of Newark is The Sopranos meets The Godfather Part II, and the result is so much less than the sum of its parts. Do we really need to know that Tony Soprano was once a chubby brat? Moreover, do we really want to know that that chubby brat grew up to be Michael Gandolfini? Michael would certainly be a chip off the old block, if his father had been Oswald Cobblepot instead of Jim Gandolfini. This is truly a case of the apple falling a million miles away from the tree, but then pretty much everyone here falls short of the original actors/characters (I was never really a fan of the TV show, and even I would rather watch that instead). Livia, Junior, Janice, Paulie Walnuts, Silvio Dante, Big Pussy; Soprano diehards will recognize all of these and several other names , but not much else. The only connection to the HBO series is Michael Imperioli, and even then it's just his voice used as little more than en excuse for some lame retrospective dramatic irony. When he sees Tony for the first time, baby Christopher starts crying his eyes out; someone takes the opportunity to randomly comment that “Some babies, when they come into the world, know all kinds of things from the other side”. So baby Chris could somehow sense that uncle Tony was going to eventually murder him in cold blood? And if so, a fat lot of good that prescience did him. As for the audience, we (even casual viewers like myself) remember very well that Tony Soprano strangled Christopher Moltisanti (which means 'many saints', hence the title of the film), because it’s practically the first thing that Imperioli tells us in the opening narration (to paraphrase Borges, saying something too much is almost as bad as not saying it). Writers David Chase and Lawrence Konner and director Alan Taylor even manage to ruin the only good thing about this piece of crap movie; i.e., the late, great Ray Liotta, who must have been paid very good money — and completely deserved it for appearing in this debacle — because the filmmakers kill off his character half an hour into the movie, just to introduce his identical twin (and I mean identical to a T; how many pairs of twins are still getting exactly the same haircuts in their late 60s?). Someone at New Line must have thought that Liotta was overpaid and demanded that the actor pulled double duty; how else to explain this farcical turn of events?
Jenny Marsh, recently released from prison for killing a man, finds herself under the watchful eye of her parole officer, Griff Marat, who helps her secure a job caring for his ailing mother.
Motoko and her squad are finally getting closer to Fire-Starter's broker, but things get tense when they're instructed to take a backseat role on a sting operation.
A reclusive, disillusioned Army veteran is prompted into action when his only friend goes missing on a down-at-heel council estate.
Violent crime is routine. Organized drug trade runs rampant in the face of powerless authority. And a vicious street gang holds dominion with a savage reign of terror. Welcome to Lincoln High! Here the cobras rule the school and everyone in it. Everyone except for Jeff Hanna.
A two-bit criminal takes on the Mafia to avenge his brother's death. Earl Macklin is a small time criminal who is released from prison after an unsuccessful bank robbery only to discover that a pair of gunmen killed his brother.
Ray is an aging ex-socialist who has become a bankrobber after seeing the demise of socialism in 1980s Britain. Teaming up with a gang of other has-beenish crims, he commits one bank job too many. The gang dissolves in a murderous flurry of recriminations.
A detective's bride and her bridesmaid are raped and killed on the eve of the wedding, and the bodies are left covered in red roses. The detective is drugged and framed for the murders and he must clear his name and find the killers.
An ex-con moves to L.A. to find work and creates a disturbance by fighting for a position. More importantly he touches the lives of many of his neighbors including an older man dying of cancer, a young married couple whose husband is too proud to accept a lesser position which causes strife with his wife, and a young boy on the verge of getting in trouble with street gangs.
When retired racket boss John Sarto tries to reclaim his place and former friends try to kill him, he finds solace in a monastery and reinvents himself as a pious monk.
As Papa Guessopy (Will Jessop) struggles to keep a hold of his power and authority as a mafia boss in 60s New York City, news of a hit being put on him leads to him distrusting those around him, including the members of his gang, Guido Mariato (Charlie Longmore), Giovanni Campoli (Riley Nolan), & Joey De Rocchi (Luke Heptonstall), and the intimidating Don Cassini (Ryan Poursoltan).
