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Don't go looking for much Puccini in this adaptation of the rather sad tale of "Madame Butterfly". Sylvia Sidney picks up the fan as the young geisha girl who encounters American sailor "Pinkerton" (Cary Grant) after the war. Rather cynically, his pal "Barton" (Charles Ruggles) informs him that he can pretty much have his way with the girl so long as he "marries" her beforehand and then she automatically becomes divorced afterwards when he gets on with his life Stateside. "Pinkerton" isn't quite so nasty, but when assured that "Cho-Cho San" will also just get on with things too, then a night of fun and fancy ensues. His departing comments to the girl hearten/mislead her by saying he will be back before the robin builds it's next nest. Well a visit to the US consul after his sailing makes matters works for the girl as he tells her that happens in the US every three years. He meant well! It's around then that he returns to Japan with a new bride (Shiela Terry) with both completely oblivious to the fact that there is now also a child - "Suzuki". "Pinkerton" does want to go and see her but he is unaware that she has waited patiently for his return and, well, the story takes quite a tragic turn when truths are told. This is not the liveliest presentation of this story with the staccato accents not really helping; Grant doesn't really impose himself and the pacing is distinctly ponderous. That said, Sidney delivers a solid performance as a woman who readily elicits feelings of sympathy and pity as her life becomes subsumed in a dream of faux-expectations centred on a selfish and thoughtless man. It's all watchable enough, just not really that great.
The founding father has an extramarital affair and meets with the likes of Thomas Jefferson.
In Knockemstiff, Ohio and its neighboring backwoods, sinister characters converge around young Arvin Russell as he fights the evil forces that threaten him and his family.
This telefilm in black and white is diffused on the first French chain the November 6th 1965. It undoubtedly remains the most known adaptation of the Dom Juan of Molière.
On the eve of WW-I the French Navy ship Lafayette returns to its Toulon base for one night. There is no shore leave, although wives are permitted to come to a party. The strain of command on the older captain and his new, young wife is very great.
Otto Beckert has taken to his cousin, Aase, who has promised her heart to Tage Henning. In the pursuit of her love, Otto tries to tear the two lovers apart – and he succeeds! A single misstep and Aase ends up in Otto’s grateful embrace. As the day of the wedding dawns, the wretched Tage tries to win back his beloved. A desperate plan has consequences for poor Aase, trapped between the two relentless fighting roosters. (Stumfilm.dk)
A fiercely independent cowboy arranges to have himself locked up in jail in order to then escape with an old friend who has been sentenced to the penitentiary.
Over the course of one foggy day in August 1912, a retired Irish theater actor grapples with the morphine addiction of his unbalanced wife, debauchery of his older son, and sickness of the youngest son as past guilts, repressed anger, and deep-seated regrets slowly come boiling out, threatening to destroy the family.
When the government opens up the Oklahoma territory for settlement, restless Yancey Cravat claims a plot of the free land for himself and moves his family there from Wichita. A newspaperman, lawyer, and just about everything else, Cravat soon becomes a leading citizen of the boom town of Osage. Once the town is established, however, he begins to feel confined once again, and heads for the Cherokee Strip, leaving his family behind. During this and other absences, his wife Sabra must learn to take care of herself and soon becomes prominent in her own right.
