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_The Forgiven_ is a peculiar film that seems to be trying to say something about poverty or the wealthy being blind to anything that isn’t directly under their noses, but it also squeezes in a few jabs at racism. The whole thing about throwing mice off of rooftops while wearing parachutes with swastikas on them is really bizarre. The film alludes to death and uncertainty at every turn with verbal descriptions of torture and a brief clip of Hershel’s beheading on The Walking Dead. Despite the best efforts of a massively talented cast, _The Forgiven_ trudges around in circles to the point where you don’t care what its destination is as long as it finally and truly ends. **Full review:** hubpages.com/entertainment/The-Forgiven-2022-Review-A-Desert-Drama-Where-the-Mouth-is-Faster-Than-the-Gun
Despite a rather a decent cast, this is all a bit of a non-story. It centres around a soirée being given by the rather ostentatious gay couple "Richard" (Matt Smith) and boyfriend "Dally" (Caleb Landry Jones) deep in the Moroccan desert. Travelling to that get-together are "Jo" (Jessica Chastain) and her rather drunken husband "David" (Ralph Fiennes). Along the way, in the darkness, a young boy "Driss" steps in front of their car and he is killed. Repatriating his body with his family exposes "David" to some of the traditions and culture of the local people who deal with their grief in a traditional manner - one that requires the man to journey to the boy's home, to meet his father - and to try to make some amends. Meantime, his rather unconcerned wife stays with their hosts and makes merry with the handsome "Tom" (Christopher Abbott). There is certainly some beautiful cinematography of the environment in which these two have chosen to live, and the film offers a gentle opportunity to observe how the rather libertine lifestyles of two gay men and their eclectic group of friends clashes with the long-established culture of their community. That gives some handsome people a chance to flirt and wander around scantily clad for much for the film, but the story is really quite lacking. Fiennes is fine as the disillusioned drunkard, but the rest of the cast are unremarkable (usually the case for the over-rated Smith) and the ending is, well, really quite disappointing. At all but two hours long, it is also too lengthy. What little plot and character development there is in no way justifies the film dragging on for quite this long. It's a good film to look at, but like a meringue - there isn't too much going on when you probe deeper which is a shame because at times the film presents us with personalities that are almost colonial in their attitudes, and that could have been built upon to give the narrative and characters more depth.
In a futuristic city sharply divided between the rich and the poor, the son of the city's mastermind meets a prophet who predicts the coming of a savior to mediate their differences.
At the height of the Vietnam war, Captain Benjamin Willard is sent on a dangerous mission that, officially, "does not exist, nor will it ever exist." His goal is to locate - and eliminate - a mysterious Green Beret Colonel named Walter Kurtz, who has been leading his personal army on illegal guerrilla missions into enemy territory.
In the smog-choked dystopian Los Angeles of 2019, blade runner Rick Deckard is called out of retirement to terminate a quartet of replicants who have escaped to Earth seeking their creator for a way to extend their short life spans.
Based on Michel Houellebecq's controversial novel, Atomised (aka The Elementary Particles) focuses on Michael and Bruno, two very different half-brothers and their disturbed sexuality. After a chaotic childhood with a hippie mother only caring for her affairs, Michael, a molecular biologist, is more interested in genes than women, while Bruno is obsessed with his sexual desires, but mostly finds his satisfaction with prostitutes. But Bruno's life changes when he gets to know the experienced Christiane. In the meantime, Michael meets Annabelle, the love of his youth, again.
Semi-retired Michigan lawyer Paul Biegler takes the case of Army Lt. Manion, who murdered a local innkeeper after his wife claimed that he raped her. Over the course of an extensive trial, Biegler parries with District Attorney Lodwick and out-of-town prosecutor Claude Dancer to set his client free, but his case rests on the victim's mysterious business partner, who's hiding a dark secret.
When a group of idealistic young men join the German Army during the Great War, they are assigned to the Western Front, where their patriotism is destroyed by the harsh realities of combat.
Two warriors in pursuit of a stolen sword and a notorious fugitive are led to an impetuous, physically-skilled, teenage nobleman's daughter, who is at a crossroads in her life.
At a village railway station in occupied Czechoslovakia, a bumbling dispatcher’s apprentice longs to liberate himself from his virginity. Oblivious to the war and the resistance that surrounds him, this young man embarks on a journey of sexual awakening and self-discovery, encountering a universe of frustration, eroticism, and adventure within his sleepy backwater depot.
Slaking a thirst for dangerous games, Kathryn challenges her stepbrother, Sebastian, to deflower their headmaster's daughter before the summer ends. If he succeeds, the prize is the chance to bed Kathryn. But if he loses, Kathryn will claim his most prized possession.
Humbert Humbert is a middle-aged British novelist who is both appalled by and attracted to the vulgarity of American culture. When he comes to stay at the boarding house run by Charlotte Haze, he soon becomes obsessed with Lolita, the woman's teenaged daughter.
A young couple, Rosemary and Guy, moves into an infamous New York apartment building, known by frightening legends and mysterious events, with the purpose of starting a family.