The Barber Shop

It's a classic boy-meets-girl story, boy-loses-girl, boy gets mistaken for an escaped convict and ruthlessly chased by armies of cops across the countryside in a thrill-packed stunt-addled climax.

Grandmother Koba has to take care of her grandchild Emma's digital horse farm.

One of the two earliest horror films ever made. This film is presumed lost. In this black comedy scene, the bottom falls out of a coffin, the corpse tumble out, and is jolted back to life. Short sequences like this, as well as street scenes and dancing geisha girls were the main subjects of early Nippon cinema, pioneered by Shiro Asano and Shibata Tsunekichi from 1897 onwards. In creating dramatic, scenes, film-makers naturally chose the most striking or bizarre. Another undocumented film, recalled by cameraman Shiro Asano.

Thelma and Patsy find themselves in a spooky house inhabited by a nut who is a mechanical genius and has made a robot who does everything. The inventor manipulates the robot's control board from a hidden room. The girls are soon in a panic. Patsy gets into an argument with the robot and loses the match of wits. Blackie Burke, an escaped convict, is using the house as a hideout, and this adds to the problems the girls already have.

At Thanksgiving, a tramp arrives in a homeless-hostile town.

Sid the Sloth takes a school of children out on a camping trip from home, only to find that in typical Sid style, he is not a very good guide and the children he takes with him don't have a very good time.

Bernie Cates requests the services of the most absent-minded waiter he's ever seen, who pours water before setting the glasses, endlessly repeats questions, brings wrong orders, and ruins everything- but the bill.

A girl has to decide who to marry: a poor country boy or a rich nightclub owner.

As a practical joke, an actor impersonates the screen monster he made famous. A lost film.

Scrat tries to finish his rather large collection of acorns when things start going nutty.