Never Better: A Closure Comedy

A young couple's car breaks down on a desolate road. When a stranger shows up out of nowhere to assist them, all signs point to one conclusion; the stranger is most likely a serial killer.

Blues rinses, portraits of the queen and stand up bingo. Chris Shepherd delves into his past and recalls the world of his Aunty Glad and her local Conservative Club. The hues of blue that make up the Tory heartland are more than just a party - they are a state of mind.

A town is terrorized by killer clamps! It's up to the chief of police, a scientist and the girl next door to stop this nightmare.

Finding an unfinished script written by Alfred Hitchcock, Martin Scorsese attempts to recreate it himself as Hitchcock would have.

A solitary dish washing robot living out his life in the back room of a restaurant is enlightened to the world that exists beyond his four walls, with the help of a small friend he breaks free of confinement to pursue his dream of exploration.

Kylie, a wedding planner, has had a string of boyfriends who have all turned out to be gays, including Benj. Eventually, the two became best friends and business partners. When Diego, Benj's childhood friend, resurfaces and asks them to plan his wedding, Kylie sets out to prove that she's right again-that Diego, is indeed another closet case. Will she succeed?

A place with stairs, but that leads to walls. A place with lots of space, but no one fights for it. And a place with lots of owners, but so empty that no one wants to enter.

When Robin's daughter Lacy wants to buy an expensive guitar, Robin reminisces about the days when she was a teenager, asking her dad for her first car, an Olds Cutlass Supreme.

El Mono relojero is a 1938 Argentine animated short film directed by Quirino Cristiani. It is the only film from this director that exists up to this day, since all his other productions (including the first two animated feature films, El Apóstol (1917) and Sin dejar rastros (1918), as well as the first animated film with sound, Peludópolis (1931)) were lost in a series of fires at the facilities where the negatives and copies were stored.

A young llama named Koro discovers that the grass is always greener on the other side (of the fence).