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This is more along the lines of "What if Courtney Love fronted Bikini Kill...and Bikini Kill was still good despite her presence?" It's not a bad movie for 90s punk nostalgia. And it's not a bad movie to depict the punk scene at all. I think, honestly, that a lot of the negativity comes because the star is too close to a Courtney Love type to actually be someone people can tolerate to watch...and that is fair. I can't condemn that. But, from my take, I liked the concept and the execution. So I can't criticize it, even if it meant watching Love at her 90s lowest for the duration of the film and absolutely hated it now just as much as I did then. And, since that is what I believe everyone involved was going for, I have to say it was a good film. It's just a good film that is a hard watch and for obvious reasons.
Lucía, a club dancer on the run, takes refuge in a sinister building on the outskirts of Madrid where her sister Rocío lives with her daughter Alba.
Australian stuntman Grant Page goes to Los Angeles to work on a television series. He uses his spare time to lend his expertise to rock band Sorcery. Page helps the band develop pyrotechnic magic tricks for their shows, and also recounts to his own exploits as a stuntman and daredevil as well as various stunts by other greats.
Bill Bartell was a multifaceted individual who traversed the punk rock scene, law enforcement, rodeo riding, and country music. Known for his unique contribution to punk rock through his label Gasatanka Records and band White Flag, Bartell's life defies conventional boundaries, blending hyper-masculinity with subcultural rebellion. His story, filled with mysterious and seemingly contradictory roles, offers a compelling narrative about identity, transformation, and the unexpected paths life can take.
In 2016, French writer and photographer Carole Achache took her own life. After Carole's death, her daughter Mona Achache, a film director, discovers thousands of photos, letters and recordings that Carole left behind, but these buried secrets make her disappearance even more of an enigma. Through the power of filmmaking and the beauty of incarnation with the help of actress Marion Cotillard, the director brings her mother back to life to retrace her journey and find out who she really was.
In front of a sold-out crowd at Sydney’s Allphones Arena and a massive global audience online, Above & Beyond (a.k.a. Jono Grant, Tony McGuinness and Paavo Siljamäki) celebrated the 150th episode of their Group Therapy radio show in style, demonstrating again why they’re one of the most in-demand acts in electronic music.
Above & Beyond made history this weekend, becoming the first British and Finnish DJs to headline and sell out New York's iconic Madison Square Garden. Jono, Tony and Paavo crowned a momentous night by debuting a raft of exclusive material from their forthcoming album "We Are All We Need"; with the gig streamed live to fans all over the world and reaching the number one global trending topic on Twitter.
Above & Beyond live for the 200th edition of Group Therapy Radio. Broadcast from Amsterdam on September 24, 2016.
Above & Beyond live for the 250th edition of Group Therapy Radio. Broadcast from The Gorge Amphitheatre, WA on September 16th, 2017.
The 350th edition of Group Therapy Radio. Broadcast live from O2 Arena, Prague on 11 October 2019
Live for the 300th edition of Group Therapy Radio. Broadcast live from The Asiaworld-Expo, Hong Kong, on 29th September 2018.
Celebrating 20 Years of Anjunabeats, this is Group Therapy 400, recorded live in London, 16th September 2020.
